Daniel Radcliffe Quotes

You read a million scripts during pilot season, and most of them are not very good, so the good ones really shine.

Most of the scripts that land on my desk are stuff you read and go, 'Is someone really gonna make this?'

You would not believe some of the scripts I have seen. I have read something like 160 that I've rejected, and I keep them all, for posterity.

I get a lot of emails of scripts and pilots, and they want me to give feedback, and sometimes I can't because it's so many.

I read a lot of scripts, so I know by page 25 if I like it or not.

I try to read everything that's sent me - play scripts, movie scripts - but I've had to make a rule. If the author hasn't grabbed me by Page 25, the piece goes back with a note of apology.

Most scripts are bad. I read a lot of them.

Some of the material out there - I don't want to say that it's all bad - but there's a lot of bad stuff out there. You just continue reading scripts, and eventually you find something you connect with.

You try to go where the great scripts are, if you can, or you go where the not great scripts are, because that's what's being offered to you.

I do get a fair amount of scripts; I got 'Frozen River' kinda just that way. I have a hard time turning my back on anybody who says they have something for me.

I'd read a lot of scripts, and I remember reading 'Orange Is the New Black,' and it was at the head of the pack. I remember thinking, 'Wow, that is really good. I would love to be a part of that.'

I don't have a stack of scripts that, when I get home, studios are clamoring, saying, 'Has Bob read ours yet?'

I read every screenplay that was being sent to the other directors. None were being sent to me, but I was reading what others were choosing and what the best writers were writing.

I've received some English-speaking scripts, but I was not interested in them.

I have a stack of scripts that I've read - I'm in the lucky position where I get offered things - but I haven't wanted to direct many of them.

I get a trickling few scripts that I'm lucky enough that some of them are great. I don't get loads of scripts.

It's not like I have boxes of scripts arriving at my door.

For all the hundreds of scripts that are out there, there's not that many that are amazing.

Whenever I hear the narration for a new film, I have this process back home where my mother reads all my scripts.

Good scripts are difficult to come by in the industry, especially if you are an outsider.

I get so many scripts a day but none of them inspires me. If I get a good inspiring script, then I will be most happy to make it into a film.

My choice of script is governed by two factors - either I've to like the people associated with the project or the storyline should be interesting. I focus more on the vibe and the type of energy I get from them.

The 'Pan' script made it to the Black List in 2013.

I think a good script is a rare thing, and I think no matter who you are you have to fight for the good ones.

I wrote a script with my brother which ended up, somehow, on the Black List in 2008.