Zoe Bell Quotes

Some of the material out there - I don't want to say that it's all bad - but there's a lot of bad stuff out there. You just continue reading scripts, and eventually you find something you connect with.

I think a good script is a rare thing, and I think no matter who you are you have to fight for the good ones.

It's very difficult to find good scripts in Hollywood any more.

Good scripts are difficult to come by in the industry, especially if you are an outsider.

You read a million scripts during pilot season, and most of them are not very good, so the good ones really shine.

I get a trickling few scripts that I'm lucky enough that some of them are great. I don't get loads of scripts.

If you are still thinking about a script after five or ten years, that's a sign that it's good - not that it's stale. And the opposite is true - if everyone wants to make your movie, that's a sign that it probably sucks.

Good scripts have always been, I think, hard to find. Good storytelling, good writing - it's just not easy. I have made it a point that - if I'm going to put the energy into doing this work - I will wait until I find something I'm really happy with.

Whenever I hear the narration for a new film, I have this process back home where my mother reads all my scripts.

I just want to work on good scripts.

There aren't enough good scripts.

Good scripts are hard to find.

It doesn't help anybody to put out a bad script.

My easiest judgment for a script is 'do I want to keep reading it?'

You're always looking for good scripts and when they're not always forthcoming you go mad.

'Hardware' came about because I had written quite a few scripts and hadn't had any luck getting them made.

For sure, without question, the writing is better on TV pound for pound than movies because the businesses have changed so much. So all the great writers would rather work for TV, and they do.

Most of the scripts that land on my desk are stuff you read and go, 'Is someone really gonna make this?'

I read a lot of script. In my opinion, most of them aren't good or aren't about people.

There are many great writers out there and, actually, great scripts. The problem is - and this is what I've always felt, even when I got out of school and started reading scripts - the really smart, character-driven stuff tends to be smaller films, and they just don't get made.

I'm a very moody guy and I need good scripts which excite me.

I look for scripts that give me a gut feeling that this is going to work.

When you get scripts and you really enjoy reading them, you know it's a good project.

I accept offers only when people approach me with a good script, and all those experiences have been great.

I get so many scripts a day but none of them inspires me. If I get a good inspiring script, then I will be most happy to make it into a film.