Roger Ebert Quotes

There's always some generational-guys-hanging-out movie that is made every few years, I think, and some of them are great.

Pop music should be about young people.

Every generation of children has its private hero.

I was like little-miss wannabe punk-rocker; I would go home and secretly listen to Pink, and dance around, like, 'Ugh, she understands me so well!'

I'm a '90s baby.

Kurt Cobain really made an impression on us. He just had that rebel attitude. You could tell he was super talented but didn't really care.

Of course I always knew 'We Will Rock You' and 'We Are The Champions' and all those. But my real introduction to Queen the band and knowing who they were was the movie 'Wayne's World' like a lot of people in my generation.

I'm just a product of the '90s, to be honest.

I don't expect to seem cool to everyone; nor do I want to be. I think that's the opposite of the definition of cool. So I don't care at all.

I'm always interested in characters who are closed down, but who open up when they choose to, rather than when they're obliged to. I think that's a very appealing thing, for an audience and just in life. I like the idea that something will say nothing, and then get straight to the point. That feels like how your heroes should be.

What Do You Care What Other People Think?

I don't really care what people think about me if they don't let me see it.

How shall we ever make the world intelligent of our movement? I do not think that the answer lies in trying to render feminism easy, popular, and instantly gratifying. To conjure with the passive culture and adapt to its rules is to degrade and deny the fullness of our meaning and intention.

It's weird because I think of movies like Reality Bites or something, where, even though my life was nothing like that, I hadn't done something contemporary for a while, and it's easier. You do try to make something your own.

I've learned a lot about genuinely not caring what strangers think about me. It's very liberating.

I like Madonna a lot. I think she's really good and I think she's a good singer. I think she looks good and she's got a nice kind of... I don't think she's got a sinister or cynical vibe around her, and I don't think she's got any sort of bullshit around her.

When I need to wipe my face, I use the back of my hand, And I like to take up space just because I can, And I use my dress to wipe up my drink. I care less and less what people think.

...America has enjoyed the doubtful blessing of a single-track mind. We are able to accommodate, at a time, only one national hero; and we demand that that hero shall be uniform and invincible. As a literate people we are preoccupied, neither with the race nor the individual, but with the type. Yesterday, we romanticized the "tough guy;" today, we are romanticizing the underprivileged, tough or tender; tomorrow, we shall begin to romanticize the pure primitive.

I think it's a shame when pop culture forgets that theatricality is a big part of it. When Neil Young is fumbling around in his pocket looking for the right harmonica, it doesn't matter that he's a dude in the hat who is a man of the people - there's a theatricality there. You don't have to be David Bowie or the Kabuki theater to have that theatricality going on.

[Kids today] think "Grease" is just one long music video. So they watch it over and over again the way we, when we were kids, we listened to albums.

It's easier to say, 'Don't care about what anyone thinks,' than it is to actually not care about what anyone thinks. But, honestly, anything you're passionate about, that's what you'll be the best at.

Basically I don't care what people think of me. I'm not in the communications business.

It's just people who grew up in that time are suddenly old enough to be creators themselves, but I think they have a little perspective. I'm 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the '80s and think back.

I find it terribly distracting in movies when people do accents, I must say, unless it's terribly serious and the story is rooted in South Africa and you're doing a South African accent. But in period movies I think nothing can be more distracting than people doing accents.

I've always been this way. This is who I am. Take it or leave it. You'll either hate me or you'll love me. I have a strong personality which isn't necessarily good or bad. I really don't mind what people in Oklahoma who I don't know think of me. I really only care about the people in my life.