Steven Knight Quotes

Acting is about giving yourself away, like the U2 song 'With or Without You.' You just don't stay behind a character and make people laugh or cry. At some point you have to take off that mask, and when you do, you're a human being, not just an actor. After all, I'm Catherine the person first. You share that.

Ultimately, theatre is about creating a sense of wonder, and I think wonder is achieved not by a kind of wide-eyed silliness but by being available to that which is most unknown, inside the material and inside yourself.

At a certain age you start becoming brave enough to reveal yourself and it's the revealing of who you are that enables you to dig deeper into different characters. You'll get to a point where you can say: 'I can relate to that', 'I know that', 'I don't have to make that up' and that resonates with people in the audience who can tell that you've been there.

So I always think it's important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.

I love to feature children and young adults as real people - flawed, naive, virtuous, venal - but real. I think it adds nuance and depth to the stories that wouldn't exist without them.

It's how I express myself - through storytelling and characters. They often reveal very intimate, vulnerable sides of myself.

When you acknowledge the integrity of your solitude, and settle into its mystery, your relationships with others take on a new warmth, adventure and wonder.

If there is any sense of order to the universe, acting is what I am meant to do. I'm not manufactured. I know acting isn't real, that it's temporary. If there is any theme to the roles I play, it is emotional vulnerability and availability.

If the character is true, the movie will fall into place. Or at least that's what you hope.

I think when you're telling a story from inside of you that's genuine, people connect with it.

I'm very glad people love 'Breaking Bad,' but the harder character to write is the good character that's as interesting and as engaging as the bad guy.

When I realised that what I do really well is play women who are tough and vulnerable, it was a moment of clarity. Many female characters either have one trait or the other, but I play both. I don't need to play characters who are like me. I can just do that with my life.

'Beautiful' was something that I kept really close to my heart, that I kept from a lot of people for years and years. It's my story. And I think that was the first impression I needed to give to people as a solo artist. This is who I am; this is what I'm about.

You just have to tell your authentic stories, and hopefully, it resonates. Whatever your story is, you just have to tell it authentically.

When you have a fully-realized Avatar, it's like Superman, and how do you make that interesting?

I really tell a lot of stories. I want people to know who I am.

I love roles where it's not about being perfect or being beautiful, where there is more of an interest in what's going on inside the character.

I've always thought of characters like advent calendars. You have Christmas and you have all the little doors over the windows and every day you're allowed to open one more as it gets towards Christmas and you see more and more about what's inside that house.I remember as a kid being fascinated by that and I've always thought of my character as a little bit like that. I like to have secrets and slowly let those secrets out to the audience, sometimes never let them out, but let them see as you open the shutters, open and see a little bit more of a character.

We're all the heroes of our own stories. So, when I am inside the head of a character who would otherwise be considered a villain, I have a great deal of affection for that character and I'm trying to see the world and the events through their eyes.

When I wrote the book, I thought that I was the hero of my story. And in writing it, I came to realize over time that my mom was the hero. And I was, you know - I was just her punk-ass sidekick.

I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story.

I think love is a great catalyst for many characters to further the story or their own growth.

The character truest to itself becomes eccentric rather than immovably centered, as Emerson defined the noble character of the hero. At the edge, the certainty of borders gives way. We are more subject to invasions, less able to mobilize defenses, less sure of who we really are, even as we may be perceived by others as a person of character. The dislocation of self from center to indefinite edge merges us more with the world, so that we can feel blest by everything.

You have to be willing to expose yourself, at least to yourself, to get to some kind of truth about a character.

I have to go through that arc with Dolores, and I didn't know what my arc was going to be. We found out episode by episode, and the more it went on, the more I felt a change in myself and allowed myself to be strong and to get angry and to access emotions that I don't normally, and I think a lot of women don't because we're kind of conditioned not to. It's freed me in a way, and it made me find a strength in myself.