Randy Quaid Quotes

My dad does tons of voiceovers; he was Duke in 'G.I. Joe' and 'Transformers' and Handy, Lazy, and Grouchy Smurf, so I grew up with the best bed time stories ever.

Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig.

I would love to voice an animated penguin or platypus at some point.

I work with all these amazing voice actors that do a kajillion voices.

You know when you bring your voice to different voiceover things like video games and cartoons, and I do tons of stuff like that in voiceovers and whatnot, it's very fun and freeing.

I did take some voiceover classes. I always loved the idea of doing a voice for a cartoon character. I just voiced the character of Suzi X in the upcoming 'The Haunted World of El Superbeasto.'

When I was a kid, I wanted to emulate Mel Blanc, who is arguably one of the most legendary voiceover recording artists of our time. I used to watch all the cartoons where he would voice Daffy, Elmer Fudd and Porky the Pig. I knew one day I wanted to do that.

Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig. To me, he's a great actor.

A lot of my income has been derived from voicing Disney and family programming.

I've been your yellow M&M for, oh, at least two decades or so, and I've done a lot of other animated stuff in between.

When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.

To be honest, there is a special gift for doing voice-overs, and the people who did the voices in the 'SpongeBob' cast are excellent at cartoon voice-overs, and they bring something extra to the reads.

I play a lot of nerdy voices.

If you watch a stretch of TV for a few hours, there is a good chance you'll hear me on some commercial or in some documentary or on a cartoon as some voice of a character.

I've done the voice for the Hulk for the animated cartoon.

I always dreamed of being a voice in a Disney movie, and even in those dreams, I never once dreamed of being a princess. I just wanted to be a voice.

I have agreed to lend my voice to Nature's Guard, an animated series which hopefully will go into production in the near future. The characters are all animals. My voice will be for a character named Longtail.

I guess the biggest challenge to doing any kind of animation voice work is that you only have your voice to tell the story.

Someone at Disney heard one of the records and called me in to do the sounds of Lucifer the Cat in Cinderella.

'Cars' has been a godsend. I mean, I get paid to talk into a mic. Honestly, I had no idea it would become as big as it did. When I first got the part of Mater, it was actually a small part. I did the voicing for it, though, and the animators liked it so much they rewrote the original script so that Mater could be in it more.

I've been able to work with some incredible voice talent, most of whom I grew up hearing in my favorite cartoons.

For 'Barnyard,' I did the voice of a 'chick,' which was really a blast because I had to manipulate my voice to another pitch.

From what I've understood, it's an entirely different world, and it's a tough world to get your foot in the door, but I've always wanted to be a voice of a Disney character.

I've done literally 100, 150 different characters. Some of them have only appeared for a line or three. But the point is, every sound I can make has been harvested.

It's a part of most actors to want to be in an animated feature; to extend the legacy of your career.