Kate Gosselin Quotes

I've done the voice for the Hulk for the animated cartoon.

I have agreed to lend my voice to Nature's Guard, an animated series which hopefully will go into production in the near future. The characters are all animals. My voice will be for a character named Longtail.

Well, you know, I played Mufasa in the workshop of The Lion King.

I started at Pixar the month 'Monsters Inc.' came out.

When you do a voice in an animated film, you don't see the finished product at all. You're not animating. You're not doing the voice on the finished product. You're doing the voice long before.

My very first professional job was a cartoon, doing voices for the Mr. T cartoon in high school.

I did the voice of Cyclops on 'Shrek the Third'. I don't know how I got that. They said they wanted a Michael Chiklis type, and apparently it came down to me and Michael Chiklis, so how they gave it to me, I don't know.

From what I've understood, it's an entirely different world, and it's a tough world to get your foot in the door, but I've always wanted to be a voice of a Disney character.

Acting is a plum gig, and then animation is an even more plum gig.

I'd love to be a voice in 'Toy Story 4.'

When Tim and I first discussed the part in 2003, he told me, 'I'd love for you to play five Oompas.' But five Oompas quickly turned into 165 - and they're not computerized; I did each one individually myself.

On an animated television series, you pretty much read the script as written. Whereas on an animated feature, you'll sometimes record the same scene multiple times over the course of a year as the filmmakers continue to tweak that part of the movie.

When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.

Doing an animation is nothing like anything you could ever experience. You get to be a kid again and just play dress up in a movie studio.

I really enjoy watching animation films and I have always been curious about how such well-established actors in Hollywood lend their voices to animation films.

In my opinion, animation will continue to thrive as long as there are children, parents, television, movies and the need to laugh.

It was really fun and intimate in a way. Working with George Miller is exquisite. Gloria is different from anything I've ever played before. The first time I saw the characters in the studio I remember thinking that Mumble looked just like Elijah, with such a cute and endearing face. I don't think Gloria looks that much like me.

Yes, I've already done a couple of guest voices.

The 'Aladdin' thing - that's not work; that's just fun. Three days in the recording studio going mad, then the animators do all the work. Not a bad way to cash a large check, my friend.

As an actor, I always wondered what it would be like to watch an animated character with your voice behind it and see if it seems seamless or if it seems like your voice is isolated from the animation.

Hopefully, 'Inside Out' will have the longevity that those older movies have, and many years down the line, people will be able to watch it and find some kinship with it.

To be in a Pixar movie is just great to begin with, and it has afforded me the opportunity to do a different medium because I have never done voice-over before. And I love it.

It is no surprise that animation is Hollywood's most successful and innovative genre.

I remember seeing the first LEGO movie, almost skeptically. People were like, 'You should really see it!' And I was like, 'A LEGO movie?' And then, I was like, 'This is really good!'

I feel like that would be pretty strange to meet a voice actor as a kid.