Taylor Lautner Quotes

I just felt that you can't have a character fall in love so madly as they did in the last movie and not finish it off, understand it, get some closure. That's why the movie is called 'Quantum of Solace' - that's exactly what he's looking for.

For me, it's nice to have a character who can never find love and have that be the running theme, but I think when you open the door to a story line about relationships, you open the door to another realm of comedy.

I know what it's like to be in one place and dream of another. I also know what it's like to feel that nostalgia is a fairly useless thing because it is stasis.

The crime of loving is forgetting.

I stopped acting Romeo and just became Romeo.

I'm the female Simon Cowell. He said I'm the scariest woman he's ever met. I asked him why he never dated me, and he said I was too intimidating.

I have no clue why, but maybe sometimes when there's someone you don't hear from, it's the person you want to hear from the most.

When a woman like that whom I've seen so much, All of a sudden drops out of touch; Is always busy and never can, Spare you a moment, it means a man.

Maybe I'm too young to keep good love from going wrong, but tonight you're on my mind, so you never know.

I followed a guy to Denmark. I came home with a broken heart.

My forays into trying to date girls my own age from the school I went to were all pretty tortured.

And I was desolate and sick of an old passion.

What interests me is whatever it is that allows the heart to continue to yearn for something the intelligence knows is impossible to have: a lost love, a shelter from life's blows, the return of a time past, even a connection to the dead.

In most horror films, you don't really get to understand why this character is the way he is.

Regret is a short, evocative and achingly beautiful word: an elegy to lost possibilities even in its brief annunciation.

When a woman falls in love with me, I feel guilty. I am convinced that it's pure obstinacy that keeps me from reciprocating her passion. As I explain to her that I'm gay, it sounds, even to me, like a silly excuse; I scarcely believe it myself.

For me, there is a stigma attached to playing beautiful parts. They are often empty characters whom the action happens around. I'm more drawn to characters with a complex internal life, who have a burning frustration underneath that keeps them going.

There is so much hurt in this game of searching for a mate, of testing, trying. And you realize suddenly that you forgot it was a game, and turn away in tears.

One of the things an actor tries to access is immediacy, so that you feel like you're experiencing it for the first time. But when you're playing a character who knows what's going to happen and can't stop himself to reacting although he knows he can't stop himself from reacting, there's a whole separate set of things to consider.

I burn with no causes.

It's an interesting plot device to enter in a third wheel - it always helps raise the stakes for all parties involved. But often, those characters can be one-dimensional.

Sometimes people come up to me and say, 'You were my teen crush.' I'm honored and I'm touched, but I also ask, 'What happened? Why'd you take the poster down?' I get a little heartbroken in that situation.

You can't fast-forward heartbreak, and you can't rewind love - and that's just one big bummer.

'The Virginian' has a very important romantic story line that you don't find in a lot of Westerns... At the heart of the story is quite a bit of pain and a sense of loss.

I wish I wrote 'Don't Speak' by No Doubt. I mean, that is a classic heartbreak song; it gets me every time.