Michael Madsen Quotes

War in men's eyes shall be A monster of iniquity In the good time coming. Nations shall not quarrel then, To prove which is the stronger; Nor slaughter men for glory's sake; - Wait a little longer.

Then all of a sudden, Quentin Tarantino comes along and puts a song from 40 years ago in one of his films and they've suddenly discovered you. That was a real gift that Quentin gave me.

I wouldn't say I'm a fan of Tarantino, per se, but I like several of his movies very much, probably 'Reservoir Dogs' the most of them.

Quentin Tarantino asked me to work with him but there is no way I am going to do that while Matthew Vaughn is working in film.

I've featured in some soundtracks in the past, and I would love to do more. I love great soundtracks to movies. Quentin Tarantino always picks amazing soundtracks, so I would like to do something for him or write a song for him.

I actually had the good fortune to work with Nick Hoult on 'Mad Max' in Africa, so we became really fast friends.

I tell you one of the great things about this movie is, with all that's going on around the world right now, it's just good to go to a movie where you don't have to think too hard, just have a good time, and relax and be crazy.

I had more fun making Traffic than either of the Ocean's films.

Quentin Tarantino is a genius. I want to do every single film with him.

The thing is, making movies as an actress, you learn so many things. Like when you're making a movie with Quentin Tarantino you're just at the best cinema school ever.

I was watching 'Pulp Fiction' when we were making 'Now and Then'. I didn't care about 'Now and Then,' you know?

'Pulp Fiction' is my favorite movie of all time.

'Swingers' was a little closer to what my real experience was. 'Crazy Eyes,' whoever's experience that is, I'm telling you what, that was one heck of a ride.

I want to make sure everyone's having a good time because when I ask you to come to my movie, I'm throwing a party for you. I want you to enjoy it.

If I could meet Quentin Tarantino, I don't know if I'd just ask him one question. I'd probably milk it into, like, 500 questions.

I just got Kill Bill: Vol. 2. I've watched it like eight times in the past two months. I just love the scene at the end between David Carradine and Uma Thurman.

In retrospect, 'Pulp Fiction' isn't just the template for everything Tarantino has done but the yardstick by which everything else he does is measured one way or another.

I had a good time working with Russell Crowe, Ron Howard and Ed Harris. It was a great cast and Russell worked really hard, doing tons of research and questioning everything.

I'll tell you, Quentin Tarantino really writes the most amazing dialogue.

With 'Django Unchained,' when you're dealing with slavery, it's like a gymnastics routine with the highest amount of difficulty. Quentin Tarantino is not going to do a movie that's just going to lay there and be safe. There's going to be twists and flips.

While others prayed for the good time coming, I worked for it.

A lot of times, they can't hire actors just because there's this obligation that the audiences don't know who they are, and it's about making money. For me, the project that felt like all of it was 'Rachel Getting Married' because I had such a good time on that movie. Jonathan Demme, to me, is one of the most actor-friendly directors.

David Ben-Gurion understood that the public's trust is given to a leader in order to lead, determine clear goals and make difficult decisions. The fate of the people and the good of the state guided him, not polls, media treatment or measures of prestige.

I had such a good time working with Paul Feig on 'Spy.'

It took me a lot of times watching it that I started to appreciate 'Pulp Fiction.'