Terence Stamp Quotes
It's such a performance to bring stuff into America. It's a great luxury when I am in England.
Hattenstone, Simon. "I'm still tap dancing." The Guardian, Guardian News & Media, 10 Dec. 2007.
Sealed under duress and later repudiated by the King with Papal assistance
It was fairly common for Englishmen to never have been more than 50 miles from his place of birth. Transportation was slow and crude and expensive. At the same time, economic conditions were relatively good in England eliminating the necessity of migration for survival—unlike Scotland which had much more mobility. Although Toynbee observed the greater mobility of labor in the United States, at the time it was much less than it became with the construction of the National Highway System and the dominance of the automobile as a mode of transportation followed by low cost air transport.
At the time, the United States required that Poles and many others from many countries were required to first get a visa (permission to travel to the United States). To do this the prospective visitors had to stand in long lines at the U. S. Embassy and or Consulates where there was never enough staff. Congress wanted to check on all potential visitors to make sure they were not terrorist affiliated and they would return to Poland. At the same time Congress wanted to promote tourism to the United States. But they also didn’t want to spend money for staff (usually non Americans overseas to make the visa process reasonable or have a process where people could obtain visas via Internet or mail. This is a classic case of Congressional incompetence in copying with their own conflicting objectives.
Terence Henry Stamp is an English actor. After training at the Webber Douglas Academy of Dramatic Art in London, he started his acting career in 1962. He has been referred to as the "master of the brooding silence" by The Guardian. His performance in the title role of Billy Budd, his film debut, earned him an Academy Award nomination for Best Supporting Actor and a BAFTA nomination for Best Newcomer. Associated with the Swinging London scene of the 1960s – during which time he was in high-profile relationships with actress Julie Christie and supermodel Jean Shrimpton – Stamp was among the subjects photographed by David Bailey for a set titled Box of Pin-Ups.
