Billy Eichner Quotes

When I moved to New York, I was waiting tables, painting in the daytime and working at night, and I felt it was possible to find a balance and just about get by.

I was almost ready to call it quits - sick of doing a job and then being back on the unemployment line and trying to make ends meet. But I loved acting and didn't know what else to do.

I know exactly what it's like to not have a penny. I know exactly what it's like trying to get a job. I know exactly what it's like having bloody one tin of Ambrosia left in the cupboard. But I know I can survive.

After seven years of writing - and working many jobs to support my family - I finally got published.

Every day, I just thank the universe that I am as lucky as I am. Because, I went through periods of time when I didn't have a single bit of work. Months and months where I was auditioning all the time. I mean, all the time, and nothing was happening.

I moved to New York and couldn't get a job as an actor. And waited tables for so long.

When you haven't got a job, a joke is about the only thing that's free.

I think that I'm lucky in that, even at levels where I, by and large, wasn't making enough money to sustain my life, I worked as a male nanny, I waited tables and did what I had to, to keep doing theater and acting.

I didn't come out and roll from job to job - my first year was really tough. I had to work as a teaching assistant for an agency; I ran a pancake stall in Dulwich Market. I taught drama classes and ran my own workshops. I applied for every advert on Gumtree there possibly was.

I started out as a duo with Mis-Teeq's Sabrina Washington, and we worked for four or five years before signing a record deal. I had no money, and I was taking part-time jobs just to earn the train fare to get to rehearsals.

I have seen extreme lows because of factors that were not in my hands - be it not having money to buy my first bike, dropping out of a prestigious engineering college without having a single rupee in my bank account, living with seven boys in a single-room kitchen in Mumbai, or eating nothing but khichdi every day. But I cherish all those moments.

I eventually moved to New York with just a couple unpaid internships. Meeting people and going to go the Upright Citizens Brigade, I was able to get a lot of connections, find some odd jobs, and be taken more seriously.

I live in L.A. so I don't get to see much theatre anymore. They have a lot of touring shows but it's not like New York - I lived in New York for 15 years and you can walk out on the street and there's something to see.

After doing kid's television on CBBC and messing around with eight and nine year olds, there was a period of three years in the middle of that when I wasn't doing anything. I was working as a receptionist and in a pub; I was a cleaner and all sorts of things. All life has its ups and downs.

We got our first significant pieces of press in the 'New York Rocker' from early gigs at CBGB.

Every author dreams of the kind of attention that 'Beautiful Children' has received in the press. Obviously, it's a shock whenever it happens. So yeah, I'm as surprised as everybody else.

My father kind of encouraged me through that. Exactly,[work] not as an actor, obviously, but as someone in show business that had some success. He told me to live the impossible. "Live the impossible!"

I have always loved jazz music and as a teen growing up in New York City and then later on as an adult have great memories of the jazz clubs that were all located on 52nd Street. I still catch as many jazz shows as I can when I am in New York. And when I perform, I have my jazz quartet by my side. Jazz musicians keep things spontaneous and very "live," which is the way I like to perform.

I was born and raised during Depression Years when we were on County relief and we all went out and we hustled. we worked. I worked in a restaurant, I washed dishes.

My parents got divorced when I was about ten years old, but I saw my mom go work two and three jobs to make sure we didn't miss a beat.

My father was a musician, and I've always loved writing. I grew up in New York City during a time when hip hop music was surrounding you with the hip hop culture, and it felt natural. I was a really huge fan of the music.

I'm not someone who's an immigrant who's struggling in that way, but between New York and L.A., I had someone tell me very early on, "If you're going to be broke anywhere, it's better to be broke in L.A. At least the weather is nice." I was like, "You're right." I didn't take them up on that.

My father's voice had nevertheless remained untainted, inspiring, rebuking, granting or withholding approval. 'You do not work hard enough, Barry. You must help in your people's struggle. Wake up, black man!

You did the best you could," and she seemed to believe I had. I said, "I've just been going through the motions," using the expression my father had after he'd watched my first tennis lesson. "Sweetie," she said, "that's what a lot of life is.

I walked the streets of New York for two years begging for a job, and I couldn't get one.