Mark Millar Quotes

I'm not much of a math and science guy. I spent most of my time in school daydreaming and managed to turn it into a living. When I was making "Star Wars," I wasn't restrained by any kind of science. I simply said, "I'm going to create a world that's fun and interesting, makes sense, and seems to have a reality to it."

I find fantasy easier to write. If I'm going to write science fiction, I spend a lot more time thinking up justifications. I can write fantasy without thinking as much. I like to balance things out: a certain amount of fantasy and a certain amount of science fiction.

Each book is a separate entity for me. When I'm writing it, I enter its world and inhabit its vocabulary. I forget, as it were, that I ever wrote anything else.

I loved writing 'Two Brothers' more than anything else I have written. It's the first book I've written that I've always known I wanted to write. Having said that, it also kept me awake at nights.

To me, writing is the most fun. It's not always fun, but finally when you make it come out the way you want, it's then you can say, 'It's fun, boy.'

Writing is a difficult thing.

Sometimes I find it tiresome to write actions and describe the scene in a very intricate way so that every crew member understands where we are going - that I can find a little bit long and tiresome. But dialogue is just all my life. There's no way I could ever be challenged, not challenged, but I'm always so happy to write dialogue.

I believed, after writing 'Mrs. Kimble,' that I knew how to write a novel. I quickly discovered that I only knew how to write that novel. 'Baker Towers' was a different beast entirely; and I felt as though I had to learn to write all over again.

Cartoonists' dirty secret is that we tend to come up with stories that involve things that are really fun to draw.

I've read science fiction my whole life. I never really dreamed that I'd be a published science fiction writer myself, but a short story I started years ago sort of demanded to be turned into a novel.

I really kill myself on titles, although 'The 5th Wave' seems like an obvious title, doesn't it? You don't know how long that took me.

I remember when I was writing 'The Tin Drum,' I had the totally misguided idea of giving Oskar Matzerath a sister, and he just wouldn't have it. There was no space for a sister, yet I had the character of the sister in my head. In fact I used her in later novels, in 'Cat and Mouse' and 'Dog Years,' Tulla Pokriski.

Writing is a struggle no matter what the genre.

I always thought, if I was gonna make a kids show, I would want to make something that my own 12-year-old self would love. So, I put all that in a blender and stewed it together to create 'Gravity Falls.'

I'd say 'Codename Baboushka' has been a slightly more difficult process for me, but I think that's precisely because it's quite different to my usual fare. And even then, being difficult doesn't make me prefer it, or not, to anything else. I like a challenge.

I hope everyone enjoys watching 'The Good Dinosaur' as much as I did making it.

Animation is incredibly difficult - much like doing a giant sweeping fantasy novel.

Well, you know, going into any project, especially with a fan base as vocal and passionate as something as "Star Wars," you will have groups of people who will find issues with whatever it is you're doing. But our job was to tell the best story we could about characters that we loved, and we knew that we needed to go backwards to go forwards, and we needed to go back to a feeling and a place and a time.

I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.

The movies like "Star Wars," for example or "Lord Of The Rings," they work because it's a a mix of everything.

It wasn't long after I began writing Star Wars that I realized the story was more than a single film could hold. As the saga of the Skywalkers and Jedi Knights unfolded, I began to see it as a tale that could take at least nine films to tell - three trilogies - and I realized, in making my way through the back story and after story, that I was really setting out to make the middle story.

So much for endings. Beginnings are always more fun. True connoisseurs, however, are known to favor the stretch in between, since it's the hardest to do anything with. That's about all that can be said for plots, which anyway are just one thing after another, a what and a what and a what.

Structure is, for me, the most fun challenge about writing novels.

Star Wars is not entertainment. Star Wars is George Lucas masturbating to a picture of Joseph Campbell and conning billions of people into watching the money shot.

I enjoy logic and logic puzzles. And filmmaking is one fun logic puzzle that you gotta win.