Kellan Lutz Quotes

My heart's in stage. Making 'Quadrophenia' was exciting because we were riding around on scooters with no crash helmets. But 'hurry up and wait' is the anthem of films. Everybody wants you ready, and then you sit doing nothing.

I am excited to get on tour, if I'm speaking to the Phish fans. I can't wait.

When you start on a new film, no matter how many you've done before that, I think I've done close to 80 films, but it's always kind of a fun adventure.

I don't know what I am on set. I can be many different things on set depending on how stressful a situation is. But at the end of the day we're making movies, we're not saving the world... we're not an army, no one's lives are at risk and we're just trying to make art, so I think as long as you keep reminding yourself that's what it's about you can have fun.

Everyone had coverage. You might have like three lines, but there were 10 people, so they would cover each person. Three lines could take 12 or 15 hours, but it was fun because everybody was together. As hard as it was to shoot those scenes, I always enjoyed when we were all together.

If you don't have fun doing the film, then the results of the film will never give you any fun.

The Darkness at Irving. Hope to have as much fun doing anything ever as these guys have on stage.

Most of the people that I've worked with when shooting films that I really respect, there is a point which you do become obsessed in a good way. And because it's a collaborative medium, you're not by yourself in a room tearing your hair out, you're in a room with a bunch of people. And we're all tearing our hairs out, or trying to get something right, or caring deeply about something. But that's fun.

Both as a filmmaker and as a fan I love the behind-the-scenes stuff, I like it even more than deleted scenes frankly. Especially when you're happy with the movie and you're proud of it, those deleted scenes give you also a sense of the making of the film and the process through which you end up with the final product.

Saw fans are manic, when it comes to details, so they're going to say, "Wait a minute! Why is that like that? It wasn't like that before." And, they're right.

You're making a fantasy. You're making something real out of a fantasy. And then it no longer exists. It's heartbreaking to leave behind. I was devastated after Waiting for Guffman. I had never gotten so close to people I've worked with.

It was good but it was just a tiny bit uncomfortable because it was a day of lying in the bushes and I think I got a major muscle thing going on there! But it was good. It was fun. That is one of the things you get to do in film that you don't do, or that I don't do, in real life. I can't speak for Dermot [Mulroney]! But it was fun.

I'm obsessed with the venue and the people so it's going to be really fun.The last couple of tours I didn't have anything like that because of the budget, so I'm super excited because this is really going to bring the album to life.

I think what's so great about TV is I don't know if all these things were planned at first, or if they see the fans' reactions to things. They really do listen to what the fans want, and feel strongly about, and push for, so all these things are happening organically.

I do feel for me that cinema has somehow ceased to be a spectator sport. I get tremendous excitement out of making it rather than watching it.

I remember being on Atonement and it felt very right to be there. There was so much excitement every day. I remember very vividly how it felt to be a child on a film set, and that is actually really important to hold on to for as long as you continue to make films.

I'm a huge fan of process. Even if it's a movie that I don't think is quite as successful, I'm really intrigued by the process of it.

I did shoot a movie called 'Mother's Day', and I really can't wait for everybody to see that. I had so much fun shooting that with Jennifer Aniston, which was kind of surreal in itself.

I don't come to Toronto often, so when I'm there it's always special and rare which I think makes it very exciting for my fans.

As much as you do get beat-up doing even small action sequences, it's incredibly fun.

The good thing about a film, or at least the films I've been a part of, is, no matter what happens in the end, you do the premiere and everyone's excited. You don't remember the rough times.

But, it's much easier to do that than produce the movies from scratch. It excites the same thing in me, whether we build it from the ground up, or whether we come on when the movie is done or almost done. The idea of supporting the underdog and getting a smaller movie out there in a big way is equally exciting.

I bring people on to the movies to type and to help punch up and look at things. But a lot of it is, you want fun people to be around, to put you in a good mood, to try and access your creative place.

It's very exciting to have fan response and fan reaction.

Acting is one element in a film. Directing is sort of the painter using all of those elements - sound and music and camera and putting it all together. And that can be fun and exciting. If you fail, it's incredibly upsetting - much more upsetting than when you're an actor. But when you succeed it's incredibly, incredibly exciting, so I like the risk of it all.