Jessica Sanchez Quotes

Working with 50 Cent was great, you know what Im saying? It was just great to work with 50 Cent.

And I had such a great working experience with Paul during the 'RAM' album.

It was [Kanye West] who spoke, and then we met and recorded some songs. After, you know what it is: we all bump like crazy.

You should find the dopest producer in your area, and that producer is always going to want songs written to his beat.

I actually did a remix for Katy Perry, and her management didn't respond.

Yeah, I came in at the end of the Notorious album, played on about five tracks and then we went on a tour. Then we did another album, Big Thing, and then we started writing songs together in 1989.

I've always been around musicians and always been the songwriter who doesn't end up playing the music.

That's the cool thing, when I get to work with people I love. The biggest has probably been Kris Kristofferson on 'Bloodworth.'

As long as I'm around the cats in the hip hop scene, they'll throw me a track and I'll write a rap over it.

Jeremih has been my favorite artist to collab with.

I could not see myself going back into the studio without Tommy Dowd, our beloved producer who passed away in 2002. Then in 2009, Michael Lehman, my manager, really pushed me to meet with T Bone Burnett. I ended up meeting with T Bone in Memphis, and we hit it off right away; I knew he was a guy I could work with.

I'd really like to work with Gwen Stefani and Cee Lo.

My earliest professional musical experiences were really as a session player, and every day was an adventure. Three sessions a day, every day, and you never knew who you would be working with until you arrived at the studio.

I've always had a lot of creative impact on the music with Timbaland.

I've worked with a lot of people on music and often times those things don't work out.

Mike Campbell and Don Henley and I wrote 'The Heart of the Matter,' which was a huge hit for Don.

Pharrell's affected everyone through music. To work with someone like that - it's a gift. You ever meet somebody you can learn so much from, and all you have to do is be quiet and watch? That's what it was like. I took in how he moves, speaks, how he creates, the whole nine.

But I'm always trying to plan ahead too and in doing so, and in working on this album, I've met a lot people that I hope to be involved with, on their records and in their situations.

I worked with Snoop, but I would love to work with him again, but DMX... I would love to work with him as well... I met him in Atlanta; I went to one of his concerts; I would love to do a song with him. I respect him and really like his music.

I stopped writing lyrics down on paper after me and Jay-Z did 'Money In the Bank.' They're something I just hold in my mind.

Toomp produced 'White House' on my first record, and we made magic.

Over the years I've met quite a few big rappers. Then it exploded with 50 Cent, and I did a book with him. It's always a strange meeting of two worlds, it's very exciting.

I've been a huge fan of Chris Martin forever; it'd be awesome to work with him. He's really kind, and he's been really encouraging when we've met.

I knew from working with New Order that I enjoyed working with Phil Cunningham.

I've learned a lot from Dave Stewart; he's a serial collaborator. He's co-written songs with more people than anybody I know - like the most incredible people too.