Dizzee Rascal Quotes

I'd really like to work with Gwen Stefani and Cee Lo.

I knew from working with New Order that I enjoyed working with Phil Cunningham.

I like to make super music instead of working with superstars.

I can work with all these different kinds of artists and still be able to come up with huge records. Not just cool records, but game-changing records.

We've been having a great time writing for other artists in and amongst making our Bastille albums and mixtapes.

Salim-Sulaiman have always been my favourite. It's just an absolute pleasure working with them, and there's always something new you get to learn just by sitting in their studio and absorbing all that's happening around you.

Well, Sean Paul we've always wanted to work with.

And I had such a great working experience with Paul during the 'RAM' album.

When I was in the studio with Madonna, we would work 12-hour days. If you want to work with the best, then that's what you have to do.

It was [Kanye West] who spoke, and then we met and recorded some songs. After, you know what it is: we all bump like crazy.

The studio experience fluctuates depending on who you work with, it's not like it's all one experience. Every studio is different, every producer's personality is different. You never know what you're going to do.

I actually did a remix for Katy Perry, and her management didn't respond.

When I came back to it, we amicably separated from Warner Bros. I just picked up where I left off, trying to write the rest of this record. It took awhile to get out.

I've recorded 25 or 30 albums. I know that sometimes when you work with producers who are kinda dictators, it doesn't help you make a better record.

I talked to the record company about what I had in mind. They said they wanted something lush. I figured the best thing to do was let them hear what I had in mind.

The best part of making music, for me, is collaborating and working with new people and fresh sounds and all those things that gets people excited to continue in this business that we all love so much.

Working with 50 Cent was great, you know what Im saying? It was just great to work with 50 Cent.

I've had a couple of guys that I've had co-produce records with me through my career, and it's fun to work with a co-producer.

Yeah, I came in at the end of the Notorious album, played on about five tracks and then we went on a tour. Then we did another album, Big Thing, and then we started writing songs together in 1989.

That's the cool thing, when I get to work with people I love. The biggest has probably been Kris Kristofferson on 'Bloodworth.'

I have been with the record company and Tommy was there doing records with other people.

It was a pleasure to work with Destiny's Child in the beginning of their career. Working in the studio with Beyonce was a lot of fun. She's an extremely hard worker, perfectionist, and a talented writer.

I sit and write songs alone and then get together with people to help me flesh it out into a recording.

The first record we put out on Fueled by Ramon, 'The Papercut Chronicles,' we had no idea what the term 'producer' meant. It was just us writing songs, and we are trying to go back to that - singing in a room and vibing off each other.

The Phil Spector that I would meet has always been a nice, quiet, little guy who's very serious about his work; obviously you can tell that because each and everything he's ever done has always been charted.