GRACE CHATTO

For me, I'm not that interested in reading newspapers, for example, so the Labour Live event is a really good way for me to engage in party politics and hear speeches and have discussions.

Drake, the way he uses that Auto-Tune has always been attractive, hasn't it?

Me wanting to play in Israel is not me making a statement about what's going on there.

Mozart's House' had been on our Myspace page for a while and had about 50 views.

The Tories will do everything they can to squash anything threatening to them and I think the involvement of young people in politics is threatening to them and we just don't really care.

Working in Italy can be quite hard because they don't have schedules - we arrive at TV shows and they're like, 'We're not sure when you're on, could be a minute, could be an hour.' We were on their equivalent of 'The Voice' and the timing was determined by whenever the judge decided the time was right. We waited five hours!

We watch the MOBOs every year and it has always been a dream to be involved.

I'm certainly treated differently to the boys in the band. People make assumptions about what I do and don't do within our projects. We produce our music together and I direct and edit the music videos.

I don't know a lot of Kasabian's music. I am into rock music but I don't know their stuff.

I find the production in 'A&E' very beautiful, it reminds me of Ace Of Base, the way the bass has that space and the reggae.

The videos are definitely as important as the music.

A 'Clean Bandit' is a total bastard!

I've spent some time in Edinburgh before. I used to go up there to busk and actually went to the Fringe a few times as a teenager with my cello.

It's so different in the different states, it is sometimes like being in a different country.

We do write our own music.

We built a bit of an audience at our university in Cambridge, playing Beethoven and Mozart quartets.

I didn't know we'd been tagged as posh. I went to a state school in London, so maybe people think I have a posh voice and that's where it comes from?

To work with different singers gives us creative freedom because we can experiment with different sounds on every song.

Jeremy Corbyn became the leader of the Labour party, and suddenly there was a reason to get involved.

We have a lot of people onstage. We have a live violin, live cello, live drums played on this kind of massive electronic kit with some acoustic elements built in.

Playing an instrument is such a wonderful pleasure.

Glasgow with its art and music scene has so much going on, it's attractive to people and there seems to be a good vibe up there.

I tried to join the RAF cadets at school so I could fly a plane but then I realised you had to do all the other cadet stuff like training before they let you in a plane. Then you're roped in for life.

We'd love to collaborate with Sam Smith. I've told him. Many times. We've got loads of songs we've written that we can literally just hear his voice on.

We were introduced to a lot of dance music that we were blown over by. Kidnap Kid we love, WOZ, and Rudimental.