John Leguizamo Quotes

The main jobs would be The New Yorker, The Village Voice, The Washington Post and - I'm thinking of The Reporter when Max Askeli was there, but I got fired from The Reporter.

It's always been a dream of mine to do a voice for a Disney movie. I think Disney movies and theater are very closely related. That would be amazing. I don't know about doing a Broadway musical, just because I don't really know how people do it. You just work all the time. That's something that I would definitely have to work up to.

I got offered to do Ben 10. Sue Blu was the [voice] director of that, and I had worked with her - I think she was on Transformers as well. And she was so great.

I think it's essential for writers to be involved in the recording process as things can often go wrong in this area. Voice actors are all too often presented with a wad of XL sheets, no proper character notes, context or reference and are just expected to perform.

The main thing is always try to find different voices for yourself. If you're in your car just driving somewhere you can try to start thinking about a voice you might want to do, like try a British accent.

Honestly, I was just happy to get the work. I was chuffed to bits. I know David Furnish and Elton John a bit and I remember David talking very excitedly about it. This was going back four or five years even, when we were doing Little Britain at the Hammersmith Apollo. I'd lost my voice that night, but still did the show. I remember thinking: "God, they're going to think that's my voice and I'm not going to get in the film!" But it's just been a pleasure to be a part of.

I remember as a kid watching TV and seeing Mel Blanc doing his voices and Paul Winchell doing his ventriloquism and thinking, 'Those guys are having a good time. I want to do that.'

I just don't like it when people get credited for their voice work and it's really shitty. It's really thin, there's nothing to it, there's no meat behind it. It's, like, "Oh, it's a celebrity."

We all had such larks. Yes, it was hard work but the friendships and the genuine respect we had for one another, that side I shall miss greatly. I've stopped acting, but I don't think I've finished using my voice. I could, and probably will, record the whole of Shakespeare's sonnets. They live at the side of my bed and are my constant companions.

I just love building buildings. I'm the largest developer in New York City. I'm having a lot of fun doing it. I think I've never had more fun. I'm just enjoying my life.

Give voice to what you know to be true, and do not be afraid of being disliked or exiled. I think that's the hard work of standing up for what you see.

[Immigrating] didn't burn out my desire to travel, though that can happen. There's nothing like immigration to make you want to just stay put. But what I think of as home is this life between Santo Domingo and the parts of New Jersey and New York City that were my childhood, so in my mind it's like home is all those things combined.

Obviously, being the CEO, there are a lot of eyes on what you do and what you post and how you post, and I think one of the challenges of Instagram in general is that, as we get bigger, there are just more voices in the room, more eyes on everyone's accounts.

I think those who choose to find joy in serving others, those who choose to find their voice, to pursue their vocation and to act on their vision oftentimes have to sacrifice much.It's almost like a crucifixion in terms of the cross you have to bear.

Read a work on the "Evidences of Christianity," and it may become highly probable that Christianity, etc., are true. This is an opinion. Feel God. Do His will, till the Absolute Imperative within you speaks as with a living voice, "Thou shalt, and thou shalt not;" and then you do not think, you know that there is a God.

In New York, as long as you're not peeing in someone's doorway, everyone thinks you're a gentleman.

When you hear a famous voice, sometimes that takes me out of the movie.

The thing about living in New York is that there are other artists; that is the most difficult, I think they are the hardest critics.

If you want to - if you want to engage in conspiracy theories that the White House and the vice president intended no one to ever know - like "The New York Times" - we would have been kept in the dark forever. I just think that's completely irrational.

I think for me it's just a matter of staying keyed into my lifelong friends from New York and family. And, you know, I'm pretty solitary. I'm a homebody. So I don't get out much to get into trouble

They say you better listen to the voice of reason But they don't give you any choice 'cause they think that it's treason. So you had better do as you are told. You better listen to the radio.

You really hope that people who want to be politically active aren't so disillusioned at this point. I do feel positive about what's happening. I think that with all of these movements, and this growing collective voice that's emerging, people are starting to come out of the kind of dazed state that they were in for so many years. But it's tough to know the best way to effect change now. Campaigning alone no longer seems to be the answer.

I remember getting my first cell phone in New York, getting into a taxi and thinking "This is the end of solitude in the back of a taxi." What used to happen in the back of a taxi? You looked out the window. My brain has become less able to spend lengths of time without shifting, and I worry about that.

I've never been one that thinks that the function of an instrument is to approach the purity of voice or the structure of a beautifully sung line.

We are New Yorkers. Proud citizens of the greatest city on earth. Thinking big isn't new to us. It is the very foundation of who we are.