Frank Miller Quotes

I decide who's right and who's wrong, and go from there. But I can't just comment on an issue. I've got to take an editorial position. Too many cartoonists simply illustrate the news. Well, the readers know the news, and a cartoon that illustrates doesn't tell them a thing they don't already know. So, I formulate an opinion and draw it.

Cartooning is preaching. And I think we have a right to do some preaching. I hate shallow humor. I hate shallow religious humor, I hate shallow sports humor, I hate shallowness of any kind.

When you do not have the dialogue to explain things, you will use everything to show and to tell the story. I think that this is what makes you believe that it is impeccable.

For me, the perfect film has no dialogue at all. It's purely a visual, emotional, visceral kind of experience. And I think one can create wonderful depth and meaning and communication without using words. I started out as an illustrator and a cartoonist and caricature artist, so for me the visual is primary.

With the 'Watchmen' comic, we attempted to tell it in an accessible way. I deliberately made the artwork very clear, deceptively so. You think you're sucking on a sweetie, but it turns out to be a sugar-coated chili.

My dream part would be to play Mitt Romney's sarcastic black maid. We could call it 'Mammy & Me.'

Comic-strip stuff isn't really my cup of tea, really.

I don't use names or captions for my many portraits of politicians and authors for newspapers. The drawing has to be self-explanatory, so I spend a lot of time sketching to find an idea and an angle that is clear.

Comedy is very disarming. It's a way to talk about things and still be light-hearted. And when it's done really well, you never see the strings, whereas when you watch an infomercial or a politician speaking, a lot of times you can see the strings, you can see what agenda they're trying to push.

You can go through comic strips alone and study the common man. You can trace our history.

I still do the standard editorial cartoon: that is my bread and butter. I absolutely love doing that.

As a fan and collector of 'MAD' magazines as a kid, I am well aware that my art is unworthy. I remain in absolute awe of 'MAD' artist Mort Drucker and loved Wally Wood and Harvey Kurtzman and Al Jaffee and Don Martin and Angelo Torres and Peter Kuper and Sergio Aragones.

Cartoons, if you ask me, are the most powerful weapon in today's politics. Balasaheb Thackeray has proved this.

But you do have to learn, if you want to be a satirist, you can't be part of the party. Meaning, you can't go horseback riding with Jackie O in Central Park if you're going to make a joke about her that night.

Among the writers of antiquity there are none who instruct us more openly in the manners of their respective times in which they lived than those who have employed themselves in satire, under whatever dress it may appear.

I don't want to speak for my movies; you could say my movies are just completely silly and dumb, but in the case of 'Idiocracy' and 'Borat,' without a doubt there is a really subversive and sophisticated assault on American culture. It's one thing to mess stuff up and break stuff, but [Borat] is really pointing out the ideology of America. It's one thing to break stuff and damage people's possessions, but when you start aiming at the ideology of America, that's dangerous comedy.

I think The New Yorker's cartoons aren't very political because the people who do the cartoons aren't awfully political people, and they aren't paid to be political. I think editorial cartoonists are. That's what they do. They probably have a great natural interest in politics, and then they are paid to do it, so they sort of have to hunt out these ideas. I admire editorial cartoons, but I'm also sort of happy that I don't do them because I'd hate to have to label things and I'd especially hate, more than anything, to label something Dennis Hastert or Mark Foley.

The real issues I don't think most people touch. The Clinton jokes are all about Monica Lewinsky and all that stuff and not about the important things, like the fact that he wouldn't ban landmines...I'm not tempted to write a song about George W. Bush. I couldn't figure out what sort of song I would write. That's the problem: I don't want to satirize George Bush and his puppeteers, I want to vaporize them. And that's not funny....OK, well, if I say that, I might get a shock laugh, but it's not really satire.

Parodies and caricatures are the most penetrating of criticisms.

It's nothing but a big stroke job in this country. The government strokes you every day of your life. Religion never stops stroking you. Big business gives you a good stroke. And it's one big, transcontinental, cross-country, red, white and blue stroke job... Do you know what the national emblem for this country ought to be? Forget that bald eagle. The national emblem of this country ought to be Uncle Sam standing naked at attention saluting, and seated on a chair next to him, the Statue of Liberty jerking him off. That would be a good symbol for the United Strokes of America.

A friend of mine was asked to a costume ball a short time ago. He slapped some egg on his face and went as a liberal economist.

My Obama is getting pretty good ... I think I'll vote for whoever makes my portrayal easier. It takes time to put together a comic impression. It takes time to recognize the tics. Right now, for instance, I could do a dead- on Paul Ryan and people wouldn't recognize it. Personalities take a while to sin.

This is the golden age of grotesque.

In the present state of the world it is difficult not to write lampoons.

You can't write good satirical fiction in America because reality will quickly outdo anything you might invent.