Post Malone Quotes

Hard rock may have faded from the media for a time, but I've always been able to make a living, if not in America, then in the rest of the world.

The Washed Out thing happened really quickly, and I wasn't really actively promoting the songs. I didn't think of them as any more than demos, really, and it sort of became a thing on its own.

I recorded my first song, 'Greetings,' and it got so much attention on SoundCloud. I was not expecting that.

There's no way you can imagine going from kids in high school to being the best band in the world.

I was doing sold-out shows before I got radio play.

Before 'Panda,' I had a buzz already.

When you are a commercial music artist, your music depends on your popularity.

Of course, growing up, you listen to your favorite people on the radio and you want to have an album of your own and you want to have number one songs that people know and can sing back to you when you have shows.

Willie D is one of the first people I worked with.

Chris Young was a big influence of mine, and he's one of my good friends now.

I always had a big fan base on the Internet, but it wasn't as a rapper. It was just as, 'Nahmir.'

I had the lyric 'Chip Don't Go' and a few words, and my wife came in and said that it sounded like a good song. I thought I'd finish writing it up and posting it to YouTube. I didn't realize it was going to take off like it did.

I didn't plan to go to Eurovision and I didn't plan on winning. I was a struggling musician, hoping for a couple of gigs.

I'm glad 'Honest' came out right after 'Karate Chop,' because I don't want to be seen as a one-hit wonder.

Really, I've been working forever, just doing music, and then all of a sudden, out of the blue, everybody is just on it.

People are familiar with my songs, especially through Eric Clapton. But I have a hard time drawing a crowd, because I have been a songwriter.

It's very, very exciting for me to hear my songs on the radio and to play shows and have people know the words.

I openly share music with Drake, especially when it's time for him to have a project.

When I was a little girl, my dream was just to hear my song on the radio. It was very fascinating to me, and I was like, 'How do I do that?' Now it's like, 'Oh my God, my song is on the radio!'

I began working as an assistant since the age of 16 with my father Dabboo Malik, went on to work with composers like Amar Mohile, Salim-Sulaiman, Pritam Da, and Sandeep Chowta.

I came second in 'The Voice of Finland' in 2012 and my career really exploded at home. I had 300 gigs a year.

I've been around so long that I've seen rappers make it and plummet.

I keep reminding myself I'm the same guy who was lucky enough to get my break because Roger Daltrey commissioned me to write the songs for one of his earlier albums.

You never know what can happen if you get sampled by the biggest artist in the world.

'The Fire in The Booth' exposed me to a wider audience. I had hundreds of thousands of followers, loyal followers before that, that's been following me on the journey.