Alesha Dixon Quotes

It only took me six months to get a record deal, but it took me 20 years to have a hit.

I did a track with Khao, out of Atlanta, who's worked with T.I. Did a track with Maylay, who did a lot with John Legend's album. I got in the studio with Kanye West; we did a song. The dedication for the career takes a lot of work, but if you love it, it's worth it.

I always knew I wanted to do music, but it took me a long time to figure out how to exactly do that. With my first record deal, everything kinda fell apart. I wasn't ready for it, I didn't know how to handle the business side at all. I thought as soon as I got a record deal, everything would fall into place and I wouldn't have to really do any work anymore. I could just make music, and be successful. Well that was not the case and everything fell apart for a period of time.

I was signed to a record label at the same time as my friend Elliot Murphy, who makes great records to this day.

I started singing when I was 18 and landed my first record deal with RCA when I was 26 after a lot of grafting singing in pubs and clubs.

The first four and a half years was me in the studio every day, writing songs for other people. I had jobs, too - eleven jobs. I worked at Kinko's, Fatburger, Subway - I was a sandwich artist - and I was a claims processor at Allstate Insurance.

I paid my dues. I have crawled to gigs. I have served people coffee. I worked hard selling all these records out the back of my car. Girl, I'm ready to sell one the real way now.

My girlfriend at the time convinced me to send these songs to Cavity Search. When they wanted to put out my record I was totally shocked.

I wanted to get my recording and become a musician again, work; with other people, do that kind of thing because I kind of got away from that for a while once we started happening, you know, selling records, sold out concerts.

I have to work really hard to get the record deal - I have to spend years at it to get good. I have to practice to be good at guitar.

When I first started fighting, it wasn't the easiest thing. I didn't have all the money in the world. I was eating Subway once in a while, some packets of oatmeal here and there. It wasn't that bad, but it's because I was fortunate and had good people there to support me.

One not-to-be-mentioned major said they would sign me if I worked with a team of songwriters to help me finish songs, ha! Of course, in hindsight, I should've done it just to see what that would have been like.

Before I got my big hit, I was selling beats for $500.

A lot of new artists sign their deal and then go into a development stage for a year or two or sometimes never get out of it. For me, because I had been a working songwriter in town, I had a collection of songs that I was ready to make into an album. At the time, I didn't realize it was becoming an album, but it was.

A lot of people may know me for my music now. It took me almost 14 years to get where I am, and it was really hard.

When we got with Dallas Austin, he was just getting on. He was kinda like the fourth member of TLC.

I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.

To reach the highest level you have to not just have a dream and focus but you also have to make sure you are writing great songs, and if you feel they're what you want to represent you, that is key. But getting out on the road is key. And get your music out there. Maybe something catches, maybe it gets picked up and used on television, you just never know.

I talked to Carolyn Dawn Johnson about doing a duet with her a few times, and we just haven't gotten it done.

When I came back to it, we amicably separated from Warner Bros. I just picked up where I left off, trying to write the rest of this record. It took awhile to get out.

I've had offers to sign a record deal, but the people I've talked to have wanted to package me and have me meet with songwriters who've written stuff for Whitney Houston, that sort of thing. That's not at all my style.

I'm the seventh child of George and Leona Douglas, and I don't ever remember a time when my father didn't work two jobs. When my mother was going to the grocery, or going to Mass, or trying to take care of seven kids in a run-down farmhouse.

I can't help but recall my dad and mom. Depression era kids, 8th and 9th grade educations, clawed and scratched to make a living as dairy farmers their whole life. At least two drought cycles nearly took it all away. They just worked harder, longer... and they made it.

You know, I didn't have enough money to quit my day job... the myth of the major label deal. Nowadays, you have a tour bus and a stylist and all this stuff. But back then, no way.

I'm really happy with Elektra, I don't have anything bad to say about them at all. I always knew a major label was the right place for me to be. I never really had an opportunity to go to an independent label anyway.