Matt Bomer Quotes

What we do to ourselves to look a certain way is crazy.

I was always a character actor. I just looked like Little Red Riding Hood.

I don't know what it is about me that gets cast in specific roles. Some people would say, 'You're just a pretty face,' but on 'Battlestar,' I'm not looking pretty every day. I'm pretty banged up.

Every year, I have to spend another hour working out. Pretty soon I'll be spending eight hours working out just to fit in the costume. I have the feeling that the minute I stop doing the character, boom, Roseanne Barr.

My thing about looking good is that it should be the character. If I'm playing a character who's concerned about his body - an athlete, say - I'll get in shape. If I'm playing a character who doesn't or wouldn't, I don't. I almost never get in shape for a movie, even though I know it would be a good career move.

My character on 'Orange is the New Black' is not one that requires being absolutely shredded with 5% body fat. But I wouldn't be opposed to doing that for a role one day.

With proper acting, I don't know what I would play - I got sent a script for a play, and it said in the notes that my proposed character was 'hideously fat and ugly'. That made my day. I mean, I do know I am no oil painting.

I went to almost all of the agencies in New York when I first visited. A lot of them wanted to sign me but also kind of indirectly were telling me that I needed to change in some way. Some directly told me that I wouldn't be a model unless I changed the way that my body looked.

As an actor, particularly because I'm - I would call myself a character actor. I change my look, my physical appearance and my body, my hair color, my whatever all the time for a role.

For me, changing my physical appearance for a character is never a problem. If I have to look a certain way for a role, I just do it.

I arrived in Hollywood twenty pounds overweight and as strong as an ox. But if I put on a white tails and tux like Fred Astaire, I still looked like a truck driver.

Yorgos Lanthimos said, "What about if he's a bit soft?" And I said, "Yeah, I think you're right." He just comfort-eats a little bit too much. He's just asleep in his own life and has let himself go. And the mustache, I don't know if it was him or I suggested it. But I remember my sister was watching me eat and she was like, "God, does he have to be fat?" And in retrospect I couldn't think of David being any other way because it affected the way I moved. It really did. It slowed me down in a way that I felt was conducive to kind of tapping into the spirit of the character.

Myself and Yorgos Lanthimos, we spoke a little bit and I was at a certain body weight that I was closer to making a statement or defining the character physically by losing weight. There was no justification for him to be emaciated, but I thought, say I was 165, I thought what if I went down to 155 and have him rail-thin? And Yorgos was like, "Well, if he's very thin I think maybe it will speak to some kind of psychological trouble that we want to stay away from," and I was like, "F - -, you're right."

I think David Yates was just like, "You've got on with it for a few years, I'm gonna let you off the hook." And also, I think it's because the action side of stuff that we were doing, it was going to be very difficult to do all that with all the prosthetics on. It was gonna be hard work, and I think they just said, "You know what?" I think they put a level of trust in me, as well. They said, "You know, we're gonna let Neville Longbottom lose the fat suit, lose the teeth, lose the Adolf Hitler hair."

I've never been someone who is cast for having a lovely figure but for whatever qualities I could possibly bring to a role, so I'm still castable.

I suppose my bodily proportions are quite flattering. I'm ripped, doing something I wouldn't normally do with my body, or having done to it, involving Watson.

The first thing I do, after I talk with the director and we agree that I'm going to do the role... My jumping off point is I get a picture of what my 'look' will be. My wardrobe style, my facial hair, glasses and all that kind of stuff.

If you want to feel less sexy put scotch tape on your nipples.

At sixteen, I was a funny, skinny little thing, all eyelashes and legs. And then, suddenly people told me it was gorgeous. I thought they had gone mad.

The immense accretion of flesh which had descended on her in middle life like a flood of lava on a doomed city had changed her from a plump active little woman with a neatly-turned foot and ankle into something as vast and august as a natural phenomenon. She had accepted this submergence as philosohpically as all her other trials, and now, in extreme old age, was rewarded by presenting to her mirror an almost unwrinkled expanse of firm pink and white flesh, in the centre of which the traces of a small face survived as if awaiting excavation.

I would prefer a normal-sized breast, or a small breast or whatever, and that it be natural, than to understand that it was just some jelly in there.

The minute I got skinny and got a nose job and became photogenic, and all of a sudden I had a bidding war, and every boy I ever wanted, wanted me.

They always pencil in my boobs. I was only angry when they were really droopy. For King Arthur, for a poster, they gave me these really strange droopy tits. I thought, well if you’re going to make me fantasy breasts, at least make perky breasts.

It's so wonderful and creative to go in and tell the wardrobe department what you want to wear and how you want your hair to look. That's great, for an actor. The actors get to do more than they would, normally.

One thing's for sure: now when I look at Funny Girl, I think I was gorgeous. I was too beautiful to play Fanny Brice.