Colin Farrell Quotes

Yorgos Lanthimos said, "What about if he's a bit soft?" And I said, "Yeah, I think you're right." He just comfort-eats a little bit too much. He's just asleep in his own life and has let himself go. And the mustache, I don't know if it was him or I suggested it. But I remember my sister was watching me eat and she was like, "God, does he have to be fat?" And in retrospect I couldn't think of David being any other way because it affected the way I moved. It really did. It slowed me down in a way that I felt was conducive to kind of tapping into the spirit of the character.

My character on 'Orange is the New Black' is not one that requires being absolutely shredded with 5% body fat. But I wouldn't be opposed to doing that for a role one day.

It's extreme. The character comes back from the dead, and, at first he doesn't know where he is, how he got there.... How does that tie in with the physicality? I just didn't think he should be too healthy-looking, so I lost some weight for the role.

The waist is a terrible thing to mind.

I still represent for overweight adults and kids, but I am also now painfully and personally aware of the health issues.

A smaller waist is not the solution to all your problems.

In the end, someone is depending on me to show up on their set looking a specific way, whether that's 40 pounds overweight or 40 pounds underweight - or looking like a stripper.

Mark Wahlberg's, like, 150 pounds! I'm 250 lean. I look like Mark Wahlberg ate Mark Wahlberg.

I often get references to 'slight' or whatever, and my weight's been a thing for me my whole life. I have to really, really work. I train six times a week to just be normal and not be fat.

I didn't enjoy fighting. All I cared about was trying to beat the scale. Once that got to a point where I couldn't compete with the scale anymore, I was like, 'I'm done.'

If I was 10st, I would look highly unattractive - it would be damaging to my body.

Actually, when I first started dropping weight to fight, my biggest worry was how my smaller body would look compared to the size of my massive head.

In this industry, there's a massive pressure to be a certain weight.

A lot of people think, "Oh I'm going to eat whatever I want and then go to the gym." And I've definitely been one of those people and it just doesn't give me the results that I need to have the physique of a ballerina.

Being a director it's mean - digging deep in yourself as well. I think the deeper I understood the material and the script and the themes and the characters, I felt the more confident I was and the more I could bring to the movie. So I was lucky to have my actors because they were right there with me in the deep end.

I think that because I'm overweight, [my] fantasy was lightness. So I project my fantasy to the clothes, and now all I do is light, light clothes because it's the one thing I don't have. That is why I'm too afraid to lose weight because then I might make heavy clothes.

Some people who think they are in unhappy marriages are just in unhappy bodies.

In terms of how I work with actors, having worked so heavily on the script I have a very clear idea of the characters; they are reasonably well illustrated in the script. If you cast it right, to a great degree you can hand it over to the actor and I just make suggestions. I'm not the kind of director who needs or wants to get into too much finessing. Ideally, when you hit the set, you have this conversation, like, 'eh, what did you think?' 'I don't know, what did you think?' 'Why don't we just try it again, make a few physical changes.'

In terms of style, I think the memoirist should have a novelist's skill and all the elements of a novelist's toolbox. When I read a memoir, I want to really, deeply experience what the author experienced. I want to see the characters and hear the way they speak and understand how they think. And so in that way, writing a memoir feels similar to writing a novel.

I don't think of an actor. I think in the character, and then I search for the actor. Usually I'm thinking without names, because they will change my idea. No big egos. If I want egos - just mine. That is enough.

Genetically my legs are supposed to be huge. I can't really think about it, or I'll go crazy.

When I work on a film, you know, I try to get or inhabit the body of the character -from the vision of the directors or how i think the character should be - so if it's a film like SPEED, you hit the gym, you get to do some, train with SWAT People, hehe, but in general, I'm really focused and dedicated, and then in regular life, I don't go to the gym as often.

I'd like to think that I don't have a stock character that I go to. I'm lucky in that when you get to initiate your own scene, you get to play whoever you want. That's really kind of cool, but all my characters are short. I look on the videotape, and I thought they were taller, but they're all 5'2".

I was looking in the mirror today and my waist is still 28 inches. I think it's all because I have a large bosom and a large ass. I have a large ass and it always just looks like I'm bigger than the rest of the girls. I could lose 20 pounds and I'm still going to have these knockers and I'm going to have this ass, and that's just the way it is.

Identity issues are hardwired into the way I think about character - it's almost as if I can't get away from them even if I want to.