Jeremy Hardy Quotes

It has taken some time, but I know I've put my trust in the right team, and I'm excited to collaborate with Universal Cable Productions and Benderspink to bring 'Dreadstar''s unique brand of chaos to television.

Actually, no, but I am close to the people who are working on Chicken Little, and I'm very close to the people over at Pixar. I mean, as far as stories are concerned, almost everything we have could be told that way.

I think 'Paranorman' was a great adventure.

The great thing about animation is it's like the radio. I used to do lots of radio when I was a kid, and you get to play parts you would never get to play ordinarily.

I am fortunate enough to have worked on, and continue to work on, evolutionary movies in all formats from just simple good story telling, which still matters most of all, to CG movies to tent-pole size 3D movies, and genre 3D movies like 'Piranha 3D.'

'Shadow Hero' was a dream to work on.

In the case of 'Blood Stone,' the producers, EON, Michael Wilson, Barbara Broccoli, David Wilson and Gregg Wilson, had an idea for a story and had a lot of it done. And I came in, worked with them, fleshed it out.

I'm always there at home thinking of Wallace and Gromit ideas.

I'd love to do a PG-13 animated adventure. It would be great.

I really want to work in a movie with Quentin Tarantino. I think he makes fantastic movies. I love people that create a different reality for the actors to live in.

I sat down to take a break from writing a book and wrote a spec feature that would end up being the movie 'Lies & Alibis' with Steve Coogan.

At Pixar, we do a million versions of the movie, and every one of them goes through their awkward teenage phase where it's terrible and doesn't make sense, and we just keep working on it.

'How to Train Your Dragon,' the first one, was a film I'd seen prior to being approached for the sequel. I don't often watch family animated movies, but it's one that I loved and thought was really well done: beautifully crafted storytelling.

It's a very big collaborative effort to do an animated feature and to do a Broadway show.

It is so exciting to get a phone call saying you're going to be working on a Disney film.

Every Pixar film, when we start developing the story, it takes about four years to make one of our films.

Cary and I are working together on another movie, Charlotte's Web.

Writing, yeah. Me and my friend Scott Bloom just finished the first rough draft of a script. It's taken us three years to do, but we finally got a first draft. And we'll see whatever happens with that.

I'd love to have done 'John Carter.' I'd love to work for the Disney Corporation.

Working at Pixar has been like my graduate school for screenwriting.

I wrote the screenplay for 'This Is Where I Leave You' - all 40 drafts of it.

You have to understand that when you're a voice actor on an animated film, you're really just a tiny little piece of this huge process. And when you finally get to see the finished product and see all of the wonderful work that the animators & the designers & the writers did to make your character stand out, it's just so touching, so humbling.

I opened the script to the 'The Wall,' and 15 minutes later I was done with it, and I loved the movie and wanted to be part of it.

I worked with many directors in my life, but Tim Miller is definitely my favorite. He not only has a beautiful sense of directing actors, but he also shares a great love and passion for the comic book world, as I do.

Everything I've tried to do at Laika, searching for an artful blend of darkness and light, intensity and warmth, humour and heart, I wanted to bring to the Transformers franchise.