Lake Bell Quotes

The beauty of voice-over work is that maybe you come in and record once every two weeks for a couple of hours and do a couple episodes a session. It's awesome! You spend an afternoon playing in the booth, and there you have it. It doesn't interfere with much.

Yes, I've already done a couple of guest voices.

I am also a voice over artist, so I always like to dub myself.

As a kid, I just loved cartoons. And as the credits went by, I'd study those names and then try to figure how I could get hired to do what Mel Blanc and Daws Butler did. Create all of these great voices for animated characters.

I know now that I want to do more voice-over projects. They really have the ability to transport you into the world of whatever movie it is you are working on.

I think I do too many voices in these shows. I think it's because we have trouble getting voice talent.

If I'm doing a voice-over session, like animation or something, and I'm doing three different voices, you've gotta separate them. You've gotta find the different places and do your different things.

I think I'm going to be taking some voice lessons because I'd like to do a voice in a video game. Something like 'Call of Duty.'

On TV, it is more efficient to use voice-over people because it is really hard to get celebrity voices to recur in a series.

In my career, I have done more than a thousand voice-overs in commercials, cartoons, and radio shows, so I'm very familiar of my voice capabilities and its range.

'Red Robin' was just another audition, like a lot of other auditions. I just lucked out, and I got it. It's a great group of people I get to work with. Roger Craig Smith and Will Friedle and a bunch of guys. It's fun!

I enjoy voicing even though I am not a voice-over artist.

It's funny because the voice-over world is definitely another career. It's another outlet to be creative. But, I'm just not invested, in the way that I am with film and television.

In 'Finding Nemo,' all of the voices were recorded separate - so I would be in a sound booth in a studio by myself reading the lines with just the director. Basically, you can just come in, and it doesn't matter what you are wearing or what you look like; it is all about how your voice sounds.

I just want to get into the action. And voice-over work is all action.

I did the voice of Cyclops on 'Shrek the Third'. I don't know how I got that. They said they wanted a Michael Chiklis type, and apparently it came down to me and Michael Chiklis, so how they gave it to me, I don't know.

I've started getting into quite a bit of voice work, definitely from 'Battlestar.'

Really, voice-over is great. If it paid as much as on camera work, it's all I'd ever do.

I did a voice for Odo, but people don't recognize you by your voice.

I did get a degree in theater and took some voice-over classes.

I want to get into voice-overs.

I'd love to be a voice in 'Toy Story 4.'

I was always quite good with accents - I always had quite a good ear - so from the age of about 13, I used to do a lot of voiceover and dubbing for foreign films.

I love doing voice-over. It's one of my favorite things.

I went to drama school in England, and you spend your first year working on the muscles surrounding the vocal mechanisms. You learn how you support it and create characters through your voice so that became an obsession. So I went to Hollywood thinking, 'Oh, I'm going to be one of the great voice-over artists.'