David Duchovny Quotes

I write in a rush of memory.

I like shooting in New York because I have such a connection to the city. I have so many memories there.

Most of my story ideas come from my childhood. Sometimes they hatch from stories my parents told me, sometimes they come from experiences in my own life, and sometimes they are inspired by mere moments.

That image is a couple different people's homes that I knew growing up.

Something about your life always makes its way into your stories. That's just the nature of the beast.

I love having my ghosts, and I love having my memories.

My fondest memories are of being hidden away in Scotland or Spain writing and working on songs for Wings.

But the thing about remembering is that you don't forget. You take your material where you find it, which is in your life, at the intersection of past and present. The memory-traffic feeds into a rotary up on your head, where it goes in circles for a while, then pretty soon imagination flows in and the traffic merges and shoots off down a thousand different streets. As a writer, all you can do is pick a street and go for the ride, putting things down as they come at you. That's the real obsession. All those stories.

Hands down, the hardest part for me is coming up with an idea. I spend about 14 months writing a book, and that's a lot of hours spent thinking about a single project. I simply have to love the idea. I'll go through dozens of workable ideas until I find the one that lights my fire.

Doesn't one always think of the past, in a garden with men and women lying under the trees? Aren't they one's past, all that remains of it, those men and women, those ghosts lying under the trees ... one's happiness, one's reality?

But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.

I wish I had a talking book that told me how to act and look, a talking book that contained keys to past and present memories

If you want to write, keep cats.

Ghosts don't haunt people--their memories do.

He sank into the rocking chair, the same one in which Rebecca had sat during the early days of the house to give embroidery lessons, and in which Amaranta had played Chinese checkers with Colonel Gerineldo Marquez, and in which Amarana Ursula had sewn the tiny clothing for the child, and in that flash of lucidity he became aware that he was unable to bear in his soul the crushing weight of so much past.

All pasts are like poems; one can derive a thousand things, but not live in them.

Perhaps it’s that you can’t go back in time, but you can return to the scenes of a love, of a crime, of happiness, and of a fatal decision; the places are what remain, are what you can possess, are what is immortal. They become the tangible landscape of memory, the places that made you, and in some way you too become them. They are what you can possess and in the end what possesses you.

My yesterdays are all boxed up and neatly put away.

Much of my writing is energized by unresolved memories - something like ghosts in the psychological sense.

I think memory is the most important asset of human beings. It's a kind of fuel; it burns and it warms you. My memory is like a chest: There are so many drawers in that chest, and when I want to be a fifteen-year-old boy, I open up a certain drawer and I find the scenery I saw when I was a boy in Kobe. I can smell the air, and I can touch the ground, and I can see the green of the trees. That's why I want to write a book.

I've been a foreigner for the past twenty years. I don't have roots anymore. My roots are in my memory and my writing. That's why memory is so important. Who are you but what you can remember?

I like the idea that Ernest Hemingway always wrote about certain things he knew, he knew the ins and outs, back to fronts of what he was talking about. I love that as an inspiration for myself, to keep it true to what you know. I'm always writing little lines and saving them for later.

The writing itself is the thing that generates stories for me.

A strong experience in the present awakens in the creative writer a memory of an earlier experience (usually belonging to his childhood) from which there now proceeds a wish which finds its fulfilment in the creative work.