Tim O'Brien Quotes

When I start writing, the first line might come from reality, but the second and the third one, I have to write it. So this is the genesis of my creation. If I want to know what happens, if I want to find out the secret, I have to write it.

Writing is a mysterious activity.

My writing often contains souvenirs of the day - a song I heard, a bird I saw - which I then put into the novel.

As a novelist, I mined my history, my family and my memory, but in a very specific way. Writing fiction, I never made use of experiences immediately as they happened. I needed to let things fester in my memory, mature and transmogrify into something meaningful.

I devote most of my day to writing, and try to turn out at least four pages a day. As for what triggers the creative process, it's a mystery to me! Characters often just walk on the page, and I wait to see what they do and say while I'm writing them.

Sometimes, I get ideas from dreams. Often, my stories are based on adventures that I, or my friends, have actually lived.

What I do is write, and I try to write as closely as I can into what I call 'the mystery.'

It's like these ideas, these characters, kind of bubble up inside me, and one day they're not there, and the next day they are there. They're alive, and they're whispering in my head and all that stuff, and I want to write about those things.

When I sit at that typewriter, I have to be frightened of what I'm trying to do. I'm frightened by my own belief that I can actually get a story down on paper.

People have asked me a lot, 'What comes first? The pictures or the story? The story or the picture?' It's hard to describe because often they seem to come at the same time. I'm seeing images while I'm thinking of the story.

Where story comes from, I don't know. I know that I become obsessed with something. An idea, an image, a person, the way a person talks. And then something starts happening that I can't explain, and it has a lot to do with language.

Like most writers, I just create because I have a story to tell, really.

For me, the source material can come from anywhere. It can be a poem, it can be a dream, it can be a movie, as long as the end part of it is interesting - that's what it's about for me.

Whenever I get lost in a novel I just throw a poem in. What it does is flare up, and it's so illuminated that I'm able to see where to go. I write between these illuminations.

No author can create a character out of nothing. He must have a model to give him a starting point; but then his imagination goes to work, he builds him up, adding a trait here, a trait there, which his model did not possess.

But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.

To write more from memory and to be more creative - I think - because I am still writing about Los Angeles but I can't walk out my door and immediately drive to places I am writing about. So I think it has been a very good change for me after 11 books to start writing this way.

When I'm most deeply involved in my writing, sometimes I do dream about poetry, and occasionally I wake up from a dream with a phrase that I like well enough to put it in a poem.

Everyone has a story, the air is full of stories. The creative process is mysterious, I don't know why it is that suddenly a theme will take hold of me and refuse to leave me in peace until I investigate it and write it.

The story must spring from an impression or perception pressing enough to have made the writer write. It should magnetize the imagination and give pleasure.

My books are written from personal experience, from memories, and from stories that come to me from all places.

A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.

I've described my usual writing process as scrambling from peak to peak on inspiration through foggy valleys of despised logic. Inspiration is better when you can get it.

A friend of mine who writes history books said to me that he thought that the two creatures most to be pitied were the spider and the novelist - their lives hanging by a thread spun out of their own guts. But in some ways I think writers of fiction are the creatures most to be envied, because who else besides the spider is allowed to take that fragile thread and weave it into a pattern? What a gift of grace to be able to take the chaos from within and from it to create some semblance of order.