David Cross Quotes

I think I gave indications early on that mine wasn't just going to be a commercial, er, career. If that were the case, then the first record would have been 10 versions of 'Loser.' I always thought it would be interesting if there was no such thing as gold and platinum records, or record deals, and people were just making music. What would the music sound like?

I had no reason to want to copy anybody else. What I wanted to give audiences for the few minutes that I thought my career would last was something unique.

You've got to concentrate on the business of entertaining and writing songs. Always think different from the next person. Don't ever do a song as you heard somebody else do it.

There's no one on the road that I tried to pattern myself after. There's no one in history that I tried to pattern myself after. Because one thing I was told that in standup you want to develop your own voice.

My philosophy was simple: audiences shouldn't say that I just came, stood, and copied another comedy star. They should say 'Senthil acted in this.

Whoever my films are about, they'll hopefully still have my sensibility, whatever that is.

It's just I do things differently and I want people to appreciate music for what it is, and not because of a story.

You should be able to do you. That's what differentiates an artist from a singer.

I just be wanting my fans to like, feel like I'm bringing them something nobody bringing them.

Certain people like the way I make films, and others do not. I've come to terms with the fact that there's no other way I can make films. If I tried to do it in a different way, it would never work.

I never claimed to be a generic artist, period. I never wanted to be a generic artist.

The way I work is not the way that you work, and the whole point of any creative act is that. What I have to offer is me, what you have to offer is you, and if you offer yourself with authenticity and generosity I will be moved.

Sometimes when my fans come up to me, they think it's going to be entertaining, like I'm going to tell jokes or do bits, and then instead of that I end up talking about really mundane things with my fans, and then they're kind of like, "This is boring. I want to go talk to somebody else." I think I bore my fans to death by over-talking to them.

I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.

Anyone who's seen my specials knows I don't put out the same stuff twice.

People tried to do a lot of stuff with me early in my career where they tried to shape me into one thing or another. They couldn't just take the chance and go with my vision - which was just my intuition, really.

I'm not a guy who likes cliches. I don't think that stereotypes and cliches are the end of the line, when it comes to a performance.

I think it's really important to make things your own in your voice. I started when I was 23, and in the beginning of my career, there was this expectation of a young designer being edgier, cooler, more downtown. But I was never that person.

I don't think it is possible to give tips for finding one's voice; it's one of those things for which there aren't really any tricks or shortcuts, or even any advice that necessarily translates from writer to writer. All I can tell you is to write as much as possible.

You think you're an artist; prove it

I think the reason I choose the comic approach so often is because it's harder, therefore affording me the opportunity to show off. Also, a comic vision is my natural world view, but I've grown up in spite of myself and I can pass the comic twist if it detracts from what the characters need. Yes, the life of a saint is hard.

What you have felt and thought will by itself invent a new style, so that when people talk about style they are always a little astonished at the newness of it, because they think that it is only style that they are talking about, when what they are talking about is the attempt to express a new idea with such force that it will have the originality of the thought.It is an awfully lonesome business, and, as you know, I never wanted you to go into it, but if you are going into it at all, I want you to go into it knowing the sort of things that took me years to learn.

I'm going to work with Dan Clowes. After Charlie Kaufman, it's hard to fill up the gap. It's hard to find somebody who... A lot of writers, I can clearly see the desire of succeeding before the desire of expressing themselves. Sometimes people get upset when you want to be different. You were talking about "whimsical," which is a nice word. But sometimes they use the word "quirky" in the pejorative sense. I get frustrated, because they feel like I'm doing whatever I want, and there is no ground, and I don't really care. They feel it's cynical. But I don't think I have any cynicism in me.

My life - autism's an important part of it, but it bothers me when I see kids where autism and their autism is the only thing they think about. I'd rather have them think about, you know, some art work they were gonna do or some science they wanted to do.

You have to be original. The people creating a buzz on YouTube are taking risks, and they're doing something different. I like it when 15 year-olds come on and tell me what to do rather than the other way around.