Matthew Gray Gubler Quotes

I want all my films to look distinctly different, like some other directors I admire. But in a way, I can't really take myself completely out of the movies I make.

Art is the only thing you cannot punch a button for. You must do it the old-fashioned way. Stay up and really burn the midnight oil. There are no compromises.

Writing by hand is a way of letting mystery into my writing. But I'm constantly trying to figure out how to do this job. It's a work in progress.

I was writing, directing, and editing my own films as a young kid with my parents' video camera.

The thing I love the most about low budget films is the creative freedom.

As a story writer, you have work with sharp but relatively small tools, the picks of metaphor, the shovel blade of images, the trowel of point of view, and then you delicately lift and brush in the revision with love and care knowing that one slip, and you might damage an extremely delicate thing.

I think that if you are looking at a comic that's made by one person, that there's just a level of intimacy that I don't really see anywhere else.

The shift for me, after spending a long time trying to take existing projects and bring them to fruition as a director for hire, is going back to where I started as a self-generating director. After trying and failing to get so many things made, I have decided that you've just got to do something you really, really love.

I've been told that I might make a good producer because I am very Type A, and I'm kind of a control freak, so I've been told that that might translate well into producing, so I would certainly be open to trying my hand at that.

I certainly see myself more as a craftsman than as an artist.

The pressure is always very high. I am the client, and when I am the client, I need to fight with the photographer or with the stylists or with all the people that are on the set, because I am the only one who has a very specific vision. I always have the pressure, either from myself or from the company. I am a control freak. It's part of my culture. I know that I am still working to build a Frida moment at Gucci.

We make our own whiskey and our own smoke, too. Ain't too many things these ole boys can't do.

I'm a control freak with regards to certain aspects. I think you just have to be when you're making stuff in the world. You have to have a clear idea what you want.

For we put the thought of all that we love into all that we make.

One of the things I've always tried to do is to inject myself as much as possible into the movie, so I feel like it's mine.

You might think the word "homemade" is just a word we use as a marketing ploy. But what you don't realize is that the staff sleeps here at night. If your tablecloth is wrinkled, that's why.

I only do what I do. For me, it is a craft. It's got to be my own thing - otherwise, I would never be successful. I could easily go to the archives and pull 1987 or 1991 collection by Calvin Klein. But when you look in there, you realize that it was never about one piece. It was about the collections as bodies of work.

Trade book publishing is by nature a cottage industry, decentralized, improvisational, personal; best performed by small groups of like-minded people, devoted to their craft, jealous of their autonomy, sensitive to the needs of writers and to the diverse interests of readers. If money were their primary goal, these people would probably have chosen other careers.

I really approached the film as if it was a white big piece of paper and I was going to draw a picture on it. And whether that picture was good or bad, whatever people thought of it, what they could never take away was that it was my picture.

I worked with the same producer from The Freebie, my cinematographer was one of my shooters from The Freebie. I was really aiming to tackle a genre, but sorta tackle it in my own way, and put my stamp on it, and the way that I like to see movies made.

A craftsman knows in advance what the finished result will be, while the artist knows only what it will be when he has finished it.

That's the thing with handmade items. They still have the person's mark on them, and when you hold them, you feel less alone. This is why everyone who eats a Whopper leaves a little more depressed than they were when they came in. Nobody cooked that burger.

I'm lucky enough to be able to make only movies I'm interested in seeing. That has to be an instinctive thrust. The audience knows when you're faking it. They can hang any kind of moniker they want on me.

The machine is impersonal, it takes the pride away from a piece of work, the individual merits and defects that go along with allwork that is not done by a machine--which is to say, its little bit of humanity.

I'm definitely an anomaly, but I'm making things. They're selling, say, martinis, and I'm kind of making vintage Riesling. People aren't going to sit there very often, not your average public, and your average music-business monster is not going to take the time to notice the overtones and the undertones inside the flavor. They'd rather just have the martini.