James William Middleton Quotes

I wish I could do everything in 3D.

Technology is making design more exciting, with color, wallpaper, textures, fabrics that could never have been created without the technology.

'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prints digitally because the water-based inks were better for the environment than the oil based inks. So, I learned about the Epson digital printers to get the image I wanted.

I am so inspired by new media.

The Web meant that I didn't have to schlep a whole bunch of stuff to a museum and fight with all their constraints and make something that, in the end, only 150 people would actually get out to see. Instead, I could put something together in my lab and make it accessible to the world.

The digital print is becoming the look of our time, and it makes the C-print start to look like a tintype.

Most of my videos consist of fragments, one or two minutes long. They are haikus or sketches. I have thousands.

There's just a certain fear that people have when they put meat coming out of a printer in their mouth.

I was one of the first artists to have a YouTube account, if not the first. I joined two months after the site launched.

I'm not opposed to comics on the Internet. It's just not interesting to me.

I like the app where you can make your own memes. I make memes all the time and send them to my friends.

I think miniatures are still superior to a lot of computer graphics.

I really love laser-cutting. I do a lot of laser-cut jewelry and laser-etched stationery. I'll even etch my food sometimes. You can download an image online and etch it onto a tortilla or a brownie. It's so cool to meld the digital and analog worlds together.

Matte digital prints are gorgeous, don't you agree? But the glossy digital prints, I just can't stand that paper.

Our core market has been historically gamers and digital content creators such as car designers and movie makers.

I hope that memes jump out of our computers in the future.

I've exhibited quite a few of my photographs. I expand them digitally till they're very big. It's an art school thing, I suppose.

I looked at different products we could do, and the marshmallows were the most fun to develop.

For artists diving into a new technology, it is a triple short-cut to mastery: you get a free ride on the novelty of the medium; there are no previous masters to surpass; and after a few weeks, you are the master. Try that with the violin.

Food is like clay; you can sculpt with it. Also it has an odor, and you can eat it. I don't eat a lot of cake, but I do make cakes! And unlike the Campbell's Soup Cans, my food is a humanized form and scale.

CHOW^TM contained spun, plaited, and woven protein molecules, capped and coded, carefully designed to be ignored by even the most ravenous digestive tract enzymes; no-cal sweeteners; mineral oils replacing vegetable oils; fibrous materials, colorings, and flavorings. The end result was a foodstuff almost indistinguishable from any other except for two things. Firstly, the price, which was slightly higher, and secondly, the nutritional content, which was roughly equivalent to that of a Sony Walkman.

The fusion of art and technology that we call interface design.

I am the MacGyver of cooking. If you bring me a piece of bread, cabbage, coconut, mustard greens, pigs feet, pine cones...and a woodpecker, I'll make you a good chicken pot pie.

Art used to be painting, sculpture, music, etc, but now, all technology has become art. Of course, this form of art is still very primitive, but it is slowly replacing reality.

There is no future in which bits will be harder to copy than they are today ... Any business model that based on the idea that bits will be harder to copy is doomed.