Wayne White Quotes

You can do stuff onstage that you can't do offstage. You can be angry as hell and enraged and get away with it onstage, but not off.

In real life I'm obviously a lot more shy, but once I'm on set and in costume and I'm hidden behind the person I'm playing I feel quite free to experiment.

I really love hanging out on the set, and I love the life, and all of that. But I don't think I could stick with this profession if it weren't for those 15 minutes a day when I get to act. That's the part I love. For some strange reason, it's the time that I'm the least self-conscious in my whole life.

Actually I have to say when I'm acting, I try not to think about directing at all.

Sometimes I think I'm more comfortable onstage than I am in my own room. When I get onstage, it's kind of like your chance to let go and be something that you're not maybe. It's your time to dream.

Acting is different all the time. When you're on set, different films, or just even in between, it's never the same. I think that's one of the things I love about it.

I'm a much better listener when I'm acting than I am as a person in real life because you learn as an actor that listening is so important. You have to really key into what the other person you're acting with is saying and how they're saying it and react in the moment to what is going on.

I've always improvised, and stand-up was this great release. All of a sudden, it was just me and the audience.

I think a lot of acting is about the removal of self-consciousness. The actor is going to be in front of a lot of people, and will naturally feel self-conscious. So a lot of the preparation for that is the removal of that idea. Like you embody or are connected to this character, therefore you can present this character in a way that eventually, when you come back to see it, you feel not exactly ashamed of.

The most interesting part of filming is what the actors do. That's the primary link between the story and the audience.

There's a very fine line between underacting and not acting at all. And not acting is what a lot of actors are guilty of. It amazes me how some of these little numbers with dreamy looks and a dead pan are getting away wit it. I'd hate to see them on stage with a dog act.

I love acting. I love stage work, more than anything. It's just live. It's right there in front of you. If you make a mistake, they know it and you know it. I won't do anything where I feel like I'm just making a fool out of myself. By doing that, I'm able to rise to my highest potential.

Art is the one form of human energy in the whole world, which really works for union, and destroys the barriers between man and man. It is the continual, unconscious replacement, however fleeting, of oneself by another; the real cement of human life; the everlasting refreshment and renewal. For, what is grievous, dompting, grim, about our lives is that we are shut up within ourselves, with an itch to get outside ourselves. And to be stolen away from ourselves by Art is a momentary relaxation from that itching, a minute's profound, and as it were secret, enfranchisement.

In stand up, you get an awareness of how you come across, but in acting there is almost a hyper-awareness on how you might be physically perceived.

Acting is everything to me and it's at the core of every decision. Whatever importance costumes, details, lights, camera, dialogue and everything else have, if the acting is bad, cheap, or overdone everything else is just gone.

On stage you're free. You can say and do things that if you said and did any place else, you'd be arrested.

I think it's a shame when pop culture forgets that theatricality is a big part of it. When Neil Young is fumbling around in his pocket looking for the right harmonica, it doesn't matter that he's a dude in the hat who is a man of the people - there's a theatricality there. You don't have to be David Bowie or the Kabuki theater to have that theatricality going on.

I do love being onstage. And I've always loved playing a character and being watched doing that.

I'm the most mellow person offstage. I think it's just, going onstage lets me get out some frustration that I'm too shy to do in real life. Instead of doing it in private, I'd rather do it in front of 1,000 people who've paid $25 to see me lose my mind.

With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.

Acting is always sort of the same - like you want to be - you know you're pretending and you want to make it as real as you can. That's the similarity. The mediums other than that are completely different. I mean you know with camera work you're doing really small detailed work and you know if you do anything too big you've sort of failed. And with stage, especially with the play I'm doing right now, I'm doing a farce, and it's so over the top that you can't actually be too big. So it's just completely different.

The more you're able to understand how to do a good dramatic performance, that can inform your comedy. It all informs one another. And it keeps everything interesting.

The stage is the opposite: you are talking loud so you can project to the back row and you know the whole play. In a movie, you are scene-to-scene; you only know the purpose of that scene. On the stage, that is artistic science. It is real, it is loving, it is truthfully you. It is two different formulas to make two different art pieces, but it is all about truth.

There's something therapeutic about connecting with an audience - when there's something really sort of odd or silly that you think is funny, and conveying it to an audience.

I am a little crazy but when I'm on-stage, then I really get to play it up and perform and be over the top and it's like an outlet. It's fun to 'wild' out.