ADEN YOUNG

I myself don't have Netflix. And recently, I was staying at a friend's place who did, and I was feeling rather poorly one morning, and I sat down and watched the entire series of 'The Killing,' the American version of 'The Killing' in one day. I just got hooked. I thought, 'Wow, I've never done this before.'

You mortgage yourself sometimes. You know what you want to do, then you balance it against paying the rent.

It wasn't until I was at 39 that I joined my first real hockey team. Which was great. I scored a couple of goals here and there, but I wasn't the most graceful thing you've ever seen.

I have great, fond memories of Canada. I feel that one day my bones will more than likely end up there.

It's easy to actually get the ink on the page, but somehow I've gotta find a way to play this. And I have to find a way to emotionally survive playing this.

As an actor, often you're stuck with these scenes in which a great period of time is in between them - for example, if you do a biopic, it might be a year, it might be a decade, you never know.

The world isn't what you think it is.

My two kids take a lot of my focus, which I'm grateful for.

An actor always wants to sink his teeth into something.

On the last day of every character I've ever played, I lay the clothes out on the floor with the shoes and socks, so that it looks like the character has literally vanished. That's the way you have to leave them.

I've been writing for years and developing my own films and editing with a friend of mine in Australia.

It wasn't until I was at 39 that I joined my first real hockey team. Which was great. I scored a couple of goals here and there, but I wasn't the most graceful thing you've ever seen.

In some ways, what I learned is that you can take a character and breathe with them, and it's up to the audience to interpret rather than you putting moral stamp on the character.

I myself don't have Netflix. And recently, I was staying at a friend's place who did, and I was feeling rather poorly one morning, and I sat down and watched the entire series of 'The Killing,' the American version of 'The Killing' in one day. I just got hooked. I thought, 'Wow, I've never done this before.'

I have great, fond memories of Canada. I feel that one day my bones will more than likely end up there.

I've never bought a boxed set DVD or anything like that.

A series is a big deal, and there are a lot of people out there writing stuff that don't know what art is.

It's easy to actually get the ink on the page, but somehow I've gotta find a way to play this. And I have to find a way to emotionally survive playing this.

You mortgage yourself sometimes. You know what you want to do, then you balance it against paying the rent.

My two kids take a lot of my focus, which I'm grateful for.

I'm only the messenger.

An actor always wants to sink his teeth into something.

As an actor, often you're stuck with these scenes in which a great period of time is in between them - for example, if you do a biopic, it might be a year, it might be a decade, you never know.

The world isn't what you think it is.

On the last day of every character I've ever played, I lay the clothes out on the floor with the shoes and socks, so that it looks like the character has literally vanished. That's the way you have to leave them.