Gus Dapperton Quotes

My voice sucks. I don't like the tone.

The only thing wrong with my voice is the way it sounds.

People often ask me how I developed my vocal sound, and the answer usually disappoints them: 'It's just the way I sound when I sing.'

I just don't think I'm a very good singer.

The human voice is the most perfect instrument of all.

You know, your speaking voice comes back, but your singing voice you use in a different way.

I cannot switch my voice. My voice is not like an elevator going up and down.

I've got that nice raspy sound.

I don't have a great voice or even a good voice.

I really have shaken hands with where my voice is right now. I think it's got a little deeper; it's got some more grooves in it.

I have a pretty lousy voice.

I focus a lot on my voice because I want it to be an instrument as well. I want my voice to add color.

I don't know if vocally I am so great.

My voice is distinctive: there's a rhythm to it, and also, it's funny. I was just blessed with a funny-sounding voice.

My voice needed oiling, and then it took off.

There were times, I could say, later in the career, that I wished that my voice would be deeper for materials that I might've wanted to select to do. But that's the style of my voice. There's nothing I can do about the height of my voice. And so I learned to deal with it.

I suspect a singing teacher would have a fit with my diction. They'd probably think I was doing a very bad job.

I was really sickened with people passing on comments that I have nasal touch while singing. Naturally, when anyone sings with high-pitched octaves, some notes may slight get in touch modalities with nasal, and that doesn't actually mean 'nasal singing.'

As singers, we're always taught to sing forward and place everything in the front of our resonating chambers. Donna Summer always sang in that space and had it naturally. Her muscle memory, the way she was built - she was a natural singer.

I think I have got a peculiar voice really, it neither one thing nor the other. It's not a contralto and it's not a mezzo soprano; it's a nothing voice really.

As luck would have it, my voice is best when it's kind of blown out.

I'm pretty hard on myself when it comes to my voice, and certain notes I'm afraid to hit because I'm afraid I'm going to sound bad.

I'm not too bad at reading, but I've got a bit of a confidence problem with speaking, with going from Scouse to Spanish.

My voice is not good enough for me to sing a song.

My vocal influences are a lot of jazz singers: Billie Holiday, Julie London, they had this tenderness to their voice.