I've never taken vocal lessons. My early trumpet training and a fortunate talent for singing has always been enough for me. In the case of rock singing, I've always felt it was better to remain a bit untrained to maintain your individuality.
When I was in the recording studio, I needed to concentrate on what my voice was doing, which is rather difficult if you can't actually see what you are supposed to be singing.
You do have to be a bit careful with your voice. It is an instrument.
The human voice is the most beautiful instrument of all, but it is the most difficult to play.
It took me five years to learn how to sing.
If you listen to the old Rock I always had one tone of rapping, but now I'm learning how to stretch out my voice and use it in different ways.
I bark my voice out through a closed throat, pretty much. It's more, perhaps, like a dog in some ways. It does have its limitations, but I'm learning different ways to keep it alive.
I started singing when I started talking.
When you are up close to an opera singer, hearing this incredible volume of noise coming from a human being - it's beyond belief.
I've never had anything as formal as vocal lessons.
But actually just yesterday we raised the key of one of my songs two steps up, so my voice is obviously responding. It's a muscle, and the more you use it, the more you use it right, the more you should get out of it. So yes, I sing.
The best vocalists I can think of are female.
Watching somebody sing reveals a lot about character.
I went to this vocal coach, Ron Anderson, who has worked with Axl Rose and Chris Cornell, to train my voice and learn a whole new way of singing.
Stage actors are usually much more conscious of speaking up and making sure that everyone can hear in the back of the theatre; a film actor probably thinks of that a little less.
Everything I'd taught myself about screaming is basically a big no-no for singing. Your posture, your airflow - you're just pushing all the air out. When you start out, you're fast, heavy and loud but you're hiding behind it in a way. When you stop screaming, that's when it gets hard.
Those old Appalachian singers use a falsetto sometimes. They can change their voices to sound high or low or really scratchy. When you're singing, usually you're trying to express some kind of pain or joy. I think that voice allows me to do a lot more of that.
The only thing I miss on stage is the falsetto.
I love to sing and I do think that my strength as a singer is... I think I have a voice that is certainly sufficient under most any circumstances... but I think my strength is that I really am an actor and I really do have to own what I am saying.
The only vocal training I had was playing with a tape recorder as a kid, and you know, doing the beginning of the 'Lone Ranger' show, with a hearty hi-o silver, and just having fun, never really thinking I would be an announcer.
Don't ever take a dramatic lesson. They will try to put your voice in a dinner jacket, and people like their hominy and grits in everyday clothes.
I really have shaken hands with where my voice is right now. I think it's got a little deeper; it's got some more grooves in it.
First, I try to take everything away that doesn't matter to singing. It sounds simplistic, but it works. There is absolute focus on singing: producing sounds and emotions that I have always enjoyed. This is key.
Thousands of kids and parents come up to us and say, How do we get better as a singer?
I'm lucky that I have a deep, strong voice naturally, and the rest of it I just worked on as far as confidence and projecting myself.
