Sarah Burton Quotes

I hate Gucci,' said Francis. 'Do you?' said Henry, glancing up from his reverie. 'Really? I think it's rather grand.' 'Come on, Henry.' 'Well, it's so expensive, but it's so ugly too, isn't it? I think they make it ugly on purpose. And yet people buy it out of sheer perversity.' 'I don't see what you think is grand about that.' 'Anything is grand if it's done on a large enough scale,' said Henry.

I don't think there is the same space for fashion designers to create like Yves was doing it. So, it's that he's one of the last, great geniuses in fashion.

[Nathalie Rykiel] knows by heart the genetic codes of the brand, and she also has a very contemporary and creative opinions about it.

If you look into the history of fashion, you'll discover that Gernreich was the leading name for years and the leading fashion designer both here in the United States and internationally.

I worked with the best - Givenchy, Dior, Yves Saint Laurent - and it gave me an ability to be confident. It turned me into a CEO and a creative director and a brand.

It's hard to tell if fashion will hold on to its 'exclusive' attitude, or change completely. Only time and Instagram will tell.

I'm not going to change myself because I think it'll make somebody like me more. And in terms of being a business, I've found that when you're always in the people-pleasing mode, that's the easiest way to lose control of your brand's DNA. I want to sit across from someone who's authentically who they are, even if they're not my personal cup of tea. It's still more comforting than being across from someone who's making moves to please other people!

I think fashion in motion is going to happen. I think that's the way things are going, but there are people who will still want to see a picture and to be able to hold it.

Designers are more like artistic directors now. Before, there wasn't this idea of supervising the artistic direction of the entire house. The old way was to think you could be this couturier or designer or stylist.

When fashion turns over it brings in little tiny creaks and cracks. This is the fascination and that is where you have to watch every step.

I love fashion because it's plugged into the zeitgeist, so it's always changing. Thirty years ago, I could never have predicted I'd be where I am today, so I know I don't know what's going to happen in the next five years or the next 20 years. I have my predictions—I'm sure technology will continue to have an impact on fashion, particularly the way people shop. I think quality will be increasingly important—we're moving away from a time of fast fashion. But really, the only constant in fashion is that you must keep moving forward, otherwise you'll be left behind.

I don't know if that's new, but it has become very official over the past 25 or 30 years - and today it's probably at its most extreme point, where sometimes collections look more like a stylist's work than a designer's signature.

I think I want to stick to jewelry. Perfumes are for the bigger media stars, and I think that works well for them. I don't think you have to be a big star to have a jewelry line; if something's pretty, I think people will want to buy it.

We are devastated to learn of the death of Alexander McQueen, one of the greatest talents of his generation. He brought a uniquely British sense of daring and aesthetic fearlessness to the global stage of fashion. In such a short career, Alexander McQueen's influence was astonishing - from street style, to music culture and the world's museums. His passing marks an insurmountable loss.

I think something happens only when people find that they are moved with others, find themselves linked or allied in new ways, showing up or speaking out in ways that resonate with one another. That resonating can be very compelling and lead to moving and speaking more emphatically and with sharper focus.

I think everybody wants to connect. There is nothing worse than feeling disconnected. And stories that really move people and make people care are the ones where they feel some sort of connection.

So you're just moving along and suddenly you get this moment that breaks your ability to continue, and yet you continue. I wanted those kinds of moments. And initially people would say, "I don't think I have any." Their initial reaction was to render invisible those moments weaved into a kind of everydayness.

I think quality will be increasingly important-we're moving away from a time of fast fashion. But really, the only constant in fashion is that you must keep moving forward, otherwise you'll be left behind.

I always knew that I had to direct. That was something I'd wanted to do. Finally, I was just looking at the situation and I said, "I wanna document hip-hop, as an art form, seeing how a lot of people don't take it seriously."

I always think to shoot action scenes is not really about the stunts. It's more about an expression and about imagination.

I would love to work with Guillermo del Toro and J.J. Abrams. I think they are creative geniuses that are constantly producing great work, and they're two people that I would just love to work with.

Boxing Helena was something that I think was pretty cool, but people judged it without even having seen it. It's not perfect, but I think for the story that we were trying to tell, it turned out pretty good. What it signified was really powerful to me: how society puts us in boxes one way or another.

It's so hard to do fittings [for Yeezy] because we want to do things that are inspiring, that people could look at and say, "Wow, I like that color palette, I could put that together." And there are so many images of things that it's almost impossible to have your clothes go up against the amount you're seeing and carry it into one language.

I'd say that directing is in my heart. And that's where my focus is, like a laser beam. That's what I've been studying for a long time, and I think that everything that I've done before has contributed to the development of my craft as a director.

As a designer, I'm supposed to be provoking people's reactions, and getting people to see things differently. I think more of us should be doing this. Because yeah, maybe guys are not gonna want to wear my stuff, but they'll think that they can maybe wear something a little bit more than what they've been wearing. That's the only way things move forward.