Gaspard Ulliel Quotes

I think maybe that as time goes by there will be more newness but because I was part of what it was before it's not like coming into a house and saying it's all about me. I don't feel like that. It really is all about McQueen and the things that he was trying to say and about moving that forward, making it relevant, making it desirable, making it into what people want to wear.

If you look into the history of fashion, you'll discover that Gernreich was the leading name for years and the leading fashion designer both here in the United States and internationally.

I put pressure on myself to propose something new - I think it's the minimum that you can do as a fashion designer.

I think Ugg went out of being something that Kate Moss and Sienna Miller were wearing in high fashion circles and then they were embraced by everyone. Once something reaches that tipping point of mass popularity then suddenly the fashion world is a bit like, "Wah." As you say, you see them less kind of everywhere now so maybe it's time to bring them back.

Today designer Alexander McQueen passed away...His talent was immense and he will remain immortal in the history of Fashion.

Haute couture is a legitimate subject for Yves Saint Laurent and could resume one day.

I am not really sure that Diana Vreeland did Yves Saint Laurent a favor, as opposed to the world, by putting that exhibition at the Met in 1983. Because I'm sure that Saint Laurent started looking back at his own work. You see that with artists, don't you? Once they get their first retrospective, it's really hard for them to push ahead.

Tell me, why do former young designers who are now in their middle 40s have to redo the 1960s and 70s. Why they cannot invent fashion for today?

Alexander McQueen... The fashion world has not only lost an icon but we have also lost a very special friend.

I think the best way to invite people into the conversation is to just create something beautiful out of love, and people naturally gravitate towards a new way of looking at fashion.

I think fashion in motion is going to happen. I think that's the way things are going, but there are people who will still want to see a picture and to be able to hold it.

Fashion is born by small facts, trends, or even politics, never by trying to make little pleats and furbelows, by trinkets, by clothes easy to copy, or by the shortening or lengthening of a skirt.

When fashion turns over it brings in little tiny creaks and cracks. This is the fascination and that is where you have to watch every step.

Facion goes in cycles but nothing has changed. When it's ridiculous it's more ridiculous than ever, and when it's wonderful it becomes more wonderful than ever because now more people think: "I dress the body I have, not I have to change the body to wear the fashion." That's what I admire about the growth of the fashion industry. I also think it's wonderful that there is the opportunity to use different textures and fabrics on different colour skins. I am inspired by that.

There is something I think we share, which is, of course, an appreciation for Helmut Lang. I think at a certain point he really changed so many things in fashion. I'm a bit younger than Helmut, but from my point of view he provided a true entrance into this new way of thinking - not being invaded into couture.

It's easy to take the shortcut and use animal skins. But I think animal skins look tired. They're not very innovative. They're old-fashioned. And great fashion should be something new.

I just think of couture clothing as wearable art. So from - to that extent I, you know, I love having the opportunity to just even be able to touch and look at, you know, these pieces of design. In terms of, you know, is it stressful and does it take a lot of time. It's mostly stressful because you're there because you're nominated.

The thing I most love and hate about fashion is that it changes all the time. But I don't think I or anyone else can singlehandedly get rid of hooker style. Popular taste isn't great by definition. It's just popular.

We are devastated to learn of the death of Alexander McQueen, one of the greatest talents of his generation. He brought a uniquely British sense of daring and aesthetic fearlessness to the global stage of fashion. In such a short career, Alexander McQueen's influence was astonishing - from street style, to music culture and the world's museums. His passing marks an insurmountable loss.

I was like, 'What's Margiela?' back then.

I love fashion because it's plugged into the zeitgeist, so it's always changing. Thirty years ago, I could never have predicted I'd be where I am today, so I know I don't know what's going to happen in the next five years or the next 20 years. I have my predictions—I'm sure technology will continue to have an impact on fashion, particularly the way people shop. I think quality will be increasingly important—we're moving away from a time of fast fashion. But really, the only constant in fashion is that you must keep moving forward, otherwise you'll be left behind.

I just hope that I can be kind of like the Beatles. I really like that kind of model. I like the way that without losing integrity they could change through fashion and not look back at the '60s and vomit when they saw what they'd done.

All the young people in fashion worship the people who have been around a long time. I think it is about keeping something going through the generations. Take my work: Just because I'm not 20 anymore doesn't mean that people don't appreciate what I do.

I only wear the latest thing. It's my job.

When artists connect to a system because they want to make a living, it's their own choice. In fashion, designers don't have that choice. I know everybody mentions Azzedine Alaïa, but he's been going for a long time in the system - showing to people, selling to clients - and I think it's admirable how he's transformed it into his own system in a way, but it's still a system.