Philip Roth Quotes

I'm always writing new books so I don't dwell on the ones I've already done. I think that's a habit from being a newspaper guy because you're always writing columns and you can't reflect on the ones you've already done.

I began to write when I was seven, and I have been writing off and on ever since. It is still off and on. You can say that when I am on, when I know I have a book which I am going to write, then I write two thousand words a day. That's so many pages longhand.

I think when you write, you should call it a "writing spree." I don't write every day, and I don't write regularly.

I tend to write a lot, which I think is the secret to being prolific.

Even a day writing badly for me is 10 times better than a day where I don’t write at all.

The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.

If I come across an issue, or something I feel strongly about, and I happen to think of a song that would go in that direction, then I do it. But that's not what I start out, necessarily, to do. Sometimes I may have an idea for a song - "Well, I'm going to write about a thing.

Forget the books you want to write. Think only of the book you are writing.

When I sit down to write a book, I don't ask myself, "How many am I going to sell?"

Writing a book is a brilliant thing because once you've finished it, you've done it, and there's the potential for it to go on earning you a living without you doing any more work on it. It's absolutely ideal for an idler.

Sometimes I look back and think, "How did I write that? The book is smarter than I am!" I have never written strategically, but rather, followed the dictates of my muse.

There are books that a writer undertakes because she wants to go on a journey, and there are journeys a writer undertakes because she wants to write a book.

Writing a book is a tremendous experience. It pays off intellectually. It clarifies your thinking. It builds credibility. It is a living engine of marketing and idea spreading, working every day to deliver your message with authority. You should write one.

A book, at the same time, also has to do with what I call a buzz in the head. It's a certain kind of music that I start hearing. It's the music of the language, but it's also the music of the story. I have to live with that music for a while before I can put any words on the page. I think that's because I have to get my body as much as my mind accustomed to the music of writing that particular book. It really is a mysterious feeling.

The real writer is one who really writes.

I feel that there are two kinds of writers. I feel that there are writers who are storytellers and then there are those just working out their obsessions. I think I'm a combination. I think, at least for these books, I'm going with fear. I've always been interested in fear. Fear is something I've dealt with in life, and I think it's the main motivating factor of everything, almost. From sex to politics.

I think novelists, when they write their books, end up having occasionally serving a purpose and playing roles that they never really fully either intended or even understood.

I don't write as much now as I used to, but I write. The lines still come, maybe periodically, and I'll go through these little bursts of time where I write a lot of things then a long period of time where maybe I don't write anything. Or these lines will come into my head and I'll write 'em down in a little book, just little sets of lines, but I won't try to make stories or poems out of them. I'm doing a lot of that now, just the lines.

I'm astounded whenever I finish something. Astounded and distressed. My perfectionist instinct should inhibit me from finishing; it should inhibit me from even beginning. But I get distracted and start doing something. What I achieve is not the product of an act of my will but of my will's surrender. I begin because I don't have the strength to think; I finish because I don't have the courage to quit. This book is my cowardice.

If you can't think of what to write, tough luck; write anyway.

Writing a book is quite an undertaking and I wouldn't want to do it just to do it.

You do not write a novel for praise, or thinking of your audience. You write for yourself; you work out between you and your pen the things that intrigue you

I don't think we [with Kate DiCamillo] intended to write a book about friendship, I think we intended to write a book about two friends.

I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.

The lives great artists live and the books they write are two very different things.