Dan Millman Quotes

I never exactly made a book. It's rather like taking dictation. I was given things to say.

I've dedicated a lot of my life as a writer to understanding how to hear the divine voice, or the music of the spheres, or whatever it is that we do when we're making art, making something out of nothing. Figuring out how to do that is much more important than knowing how to execute a good line. I don't think about that anymore, I just write.

I don't know if you actually get something out of writing poetry. I think poetry is an autonomous muse that decides to come and sit on your couch.

A friend of mine who writes history books said to me that he thought that the two creatures most to be pitied were the spider and the novelist - their lives hanging by a thread spun out of their own guts. But in some ways I think writers of fiction are the creatures most to be envied, because who else besides the spider is allowed to take that fragile thread and weave it into a pattern? What a gift of grace to be able to take the chaos from within and from it to create some semblance of order.

When you sit down and write a song, you kind of have the idea for the song, and you sit there at the piano and you kinda just write it. And then of course later there's some dinking around with it and changing some stuff. But there's this thing that happens when the song first comes out, that sort of magic when it first comes out of the ether, and you can't even really explain where it comes from. That happens so much with music, and people understand that with music. But I really think that a lot of movie and TV should be the same way.

A book, at the same time, also has to do with what I call a buzz in the head. It's a certain kind of music that I start hearing. It's the music of the language, but it's also the music of the story. I have to live with that music for a while before I can put any words on the page. I think that's because I have to get my body as much as my mind accustomed to the music of writing that particular book. It really is a mysterious feeling.

Books choose their authors; the act of creation is not entirely a rational and conscious one.

In the end, you write the book that grabs you by the throat and demands to be written.

I think I write or publish as much as I do because I can bear being without a book to work on. But routinely when I finish a book, I think, "What will I do? Where will I get an idea?" And a kind of low-level panic sets in. And then eventually something happens. I don't know. If I knew how it happened I would repeat the process, but I don't know - something just occurs to me.

To write a book is for all the world like humming a song.

Philip Larkin didn't write for several years before his life ended. And when he was asked why he didn't write, he said the muse deserted him. And when I read that, it really had a profound effect upon me, sort of scared me. So that's why I think I have no right to assume that some thought is going to come... But I think, in my imagination, if it is it, there will probably be something else I'm interested in.

The one thing that does happen, every time, though, is that I never get to write a book until I've already been thinking about it for a period of months to years.

Wait a second while I take a swig off this bottle: it's my true and only Helicon, my Caballine fount, my sole Enthusiasm. Here, drinking, I deliberate, I reason, I resolve and conclude. After the epilogue I laugh, I write, I compose, I drink. Ennius drinking would write, writing would drink.

A book comes and says, 'Write me.

If writing is thinking and discovery and selection and order and meaning, it is also awe and reverence and mystery and magic.

It's not my brain that's writing the book, it's these hands of mine.

The main thing you worry about is just coming up with songs at all. I don't sit down and write stuff like certain writers do. They think about what they are going to write first and then they write it. I just get what comes in at me. It's like I'm a musician and if I can keep my mitt on, I can catch the balls that come at me.

When I start writing, the first line might come from reality, but the second and the third one, I have to write it. So this is the genesis of my creation. If I want to know what happens, if I want to find out the secret, I have to write it.

Writing is a mysterious activity.

Whatever I'm reading at the moment seems to influence whatever I'm writing.

My muse is my wife. It's not some vague thing that flutters around the astrosphere or wherever it is. Sometimes as a songwriter you need something to hang a song on, to give it some kind of presence and form. For me, Susie is that.

When I sit at that typewriter, I have to be frightened of what I'm trying to do. I'm frightened by my own belief that I can actually get a story down on paper.

Whenever I write a novel, music just sort of naturally slips in (much like cats do, I suppose).

I don't consciously start writing a play that involves issues. After it's done, I sit back like everyone else and think about what it means.

Too often we take notes on writing, we think about writing but never do it. I want you to walk into the heart of the storm, written words dripping off hair, eyelids, hanging from hands.