Rob Corddry Quotes

In my acting, I have to identify with something in the character. The big tough boy on the side of right - that's me. Simple themes. Same me from the nuances. All I do is sell sincerity and I've been selling the hell out of that ever since I started.

With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.

It's not really a preparation when you know the character that you're playing. It's not too difficult. It would be more difficult the first time, I guess.

I surprised myself, that I was in the tissue of the character enough, that I could actually come up with something that I didn't actually feel or didn't believe.

Sometimes I can't get out of the character because the story is very intense.

It's not good just to have life experience of film-making and that's all. It's hard to play a real person when you've been in jets and town cars for three years.

I have these surreal moments where I'm like, 'I'm pregnant with Jake Gyllenhaal's baby' and 'I'm telling Robert Pattinson that he smells of sex.' But you're acting, so the focus is on the work.

They did cast me as an ingenue once, and the novelty was nice. But I said, 'There is nothing here to play!' I really like getting into the meat of a role.

In acting, you draw so much on your private life.

No, I don't have to practice that grunt. You just do it. Once you're in character, you're in character. You don't sit there purposely thinking, Well, I'll grunt here, or I'll groan there.

Every character lives in ever actor and if you're doing your job right, you're just accessing that part of your fantasy life. I can kill someone just as quickly as I can have sex with someone. You can switch that instinct, no matter what - you can pretend anything.

For me, I have having the time of my life playing this character [Louis Litt]. At times, it's unbelievably challenging and scary, when it comes to certain vulnerable areas that I don't necessarily want to go.

I love playing characters that go to extreme places, and I love to explore different kinds of psychological landscapes, so it is ultimately a kind of fun, but it's also complicated and colored by the depth of the nastiness of it, at certain times, as well.

It's so easy to disappear into your character because there isn't all this fuss around you, and we keep a closed set, and closed off to all crew members, even, unless we're cut. A lot of times, you're doing a scene in a movie and there are literally 35 people standing behind the camera all waiting to do their job, but here they have to be off the stage. On The Office, it is very much just the actors, a cameraman and a boom operator, like a real documentary, like we really are being documented.

My fun as an actor and my task as an actor is to transform myself to become other people. I enjoy becoming characters but I don't enjoy becoming caricatures. The research I do is only necessary in so far as we move into other dimensions.

Now I like to think that I'm in my character's head so much that I don't have to substitute. I'm in the moment; I'm living in the moment. And if it's genuine, it's real, and if it comes out it comes out.

I'm not much of a Method actress, so even though my character in The Ghost Writer was quite dark and bad-tempered, I could only do that if I was seeming quite perky.

I am not one of those actors who dwells on the histrionics and the subtext and future text of the character. I deal with the scenes that I'm doing at that specific time, because if I do that, they play in more of a real way.

Filming is physically and emotionally hard, especially acting in something like this, where we go into the honest feelings of these people. But it's also very exciting because there's an adrenaline that's pumping (through you) when you're doing these scenes.

While playing complex characters you're staying in the same place but you're departing with your mind and soul and educating yourself until you can really understand such huge worlds. Those are the roles that keep loyal to the authenticity of what people are, and not caricatures. It's something that requires me to prepare for three, four months. I love the process of it, rather than, "Okay, I'm ready, I'm set with the wardrobe that somebody else chose for me."

I always let my husband read the script so he knows what's about to happen to his wife. When I played Cheryl Strayed in Wild, I'd get really mad about certain things, I'd say really profound things, and I'd curse out of nowhere. He'd say, "Are you you, or are you Cheryl?"

I would love to be in the position where the role is challenging enough that I need three months to prepare for it and then six months to live the life of character.

When you start and you're taking the character seriously, it's going to lead down a variety of paths.

There is one scene where he is kissing up my back. It is really sexy and I didn't know he was going to do it. He started doing it and in the film you see me saying, whew, and that wasn't acting, that was really me thinking, whew, oh my goodness Daniel Craig is kissing my back! I really did. I had to stop and remind myself that I was playing a character and I was acting in a film.

It's fun to play a character when you can't concern yourself with how sympathetic they are.