Shaggy Quotes

I'm not a DJ, I don't know how to scratch and I don't know how to mix, but I do know how to party. One of my jobs is actually to travel the world and party.

Vegas people come with the attitude that they're gonna go hard and party. I've partied in Ibiza and all over the world, and I think Vegas is the best party.

I started as a rave promoter when I was 17 years old; then I started DJing at 19.

I never went out. I was not the guy at the club. I was almost scared of going to the club. All of a sudden, I found myself working with certain artists from L.A. and hanging out in L.A. and being introduced to a whole new lifestyle... and getting in trouble with them.

Night clubs scare me. They're dark and they stink and they're dangerous and everybody's drunk.

What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.

There isn’t a nightclub in the world that you can sit in for a long time unless you can at least buy some liquor and get drunk. Or unless you’re with some girl that really knocks you out.

I wanna go to the clubs and actually have a good time too, but at the same time, when the party's over, I have to go back to the real world and try to figure out who I am.

I've never been a junkie, and never will be. I just like going out late to clubs with friends and listening to music. Always have done. It's not that unusual for girls of 26.

The Jersey mentality is: I work, I drink, I stay up all night, I try to meet a girl, it's a waste of time.

I go to the club just like a normal person. I might go to the studio, but I go everywhere like a normal person would.

There's a lot of stuff in the club that's like, it's cool there because you're drinking and all you wanna do is do ignorant sh*t.

Work in nightclubs was interesting. There were interesting people and places, but by and large, the commercial music experience.

It is the best part of the night. The classic interactive lines are 'Where are you from? What do you do for a living?' I almost always get something interesting.

If life is too short, get off the floor at the hotel bar. How can you go big if you're on the floor? I don't understand it.

Last Friday night; Yeah we danced on tabletops. And we took too many shots. Think we kissed, but I forgot?

If people want to think I get drunk and stay out all night, let'em. That's how I got here, you know.

I love going out every night. It’s so exciting.

I'm convinced no one actually likes clubs. It's a conspiracy. We've been told they're cool and fun; that only "saddoes" dislike them. And no one in our pathetic little pre-apocalyptic timebubble wants to be labelled "sad" - it's like being officially declared worthless by the state. So we muster a grin and go out on the town in our millions.

You didn't hear Yello until later in the night in the bondage clubs. Things would start getting crazy and that's when you'd hear Yello. It was bad.

Drinking makes uninteresting people matter less and late at night, matter not at all.

I think drugs played a big role in the Taboo scene. People were taking copious amounts of ecstasy, which had filtered over from New York, and at a certain point you were more likely to spend most of the night in the toilets at the club.

When I'd be out-and-about at a club and the music would come on, I was never the guy that was gonna dance. But after Magic Mike - I have like two or three go-to moves. That's what Magic Mike gave me.

I go to dance clubs...about once a year just to justify the other 364 days I spend in my apartment going 'God, what idiots!'

I was hungry and went out for a bite, ran into a chum with a bottle of rum and we wound up drinking all night.