Sinclair Lewis Quotes

I think every young child can learn through any martial art. They would then learn to respect their life, respect their parents, respect their country, and respect the whole world.

All art is contemporary, if it's alive, and if it's not alive, what's the point of it?

While we have a very strong popular culture, the roots of American culture are very shallow, and we put emphasis on how a movie does as far as the box office goes. Many years ago, it would have been vulgar to print box - office grosses in the paper. Now The New York Times does it, and it's the big story for people interested in arts and entertainment on Monday. Which is why emphasis has shifted away from filmmakers and fallen on movie stars and business people.

If there is one thing I long for above all else, it's that the years to come may see Christianity in this country able again to capture the imagination of our culture.

Walt Whitman's "Leaves of Grass" is still in print. They're debating right now over Mark Twain. He's still available. Winslow Homer can still be seen. Our arts are - they're there. We got to go get them and understand that this is an important legacy for our country.

Spending money on art has always been frowned upon in this country - even earlier, when my and others' paintings cost almost nothing. Something is always more important. The people in charge are always peddling reasons that others seem to accept. Those who don't drink and aren't crazy, or who don't attract attention with how they behave in public, aren't noticed in art.

The worst thing you can do is make a cult movie. That means you got three great reviews and nobody went. An art film means it got a lot of good reviews and nobody went. There is no such thing as a counter culture now. What used to be considered that is commercial now.

In today's climate in our country, which is sickened with the pollution of pollution, threatened with the prominence of AIDS, riddled with burgeoning racism, rife with growing huddles of the homeless, we need art and we need art in all forms. We need all methods of art to be present, everywhere present, and all the time present.

California ... is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.

Blessed be the inventor of photography! I set him above even the inventor of chloroform! It has given more positive pleasure to poor suffering humanity than anything else that has ''cast up'' in my time or is like to -- this art by which even the ''poor'' can possess themselves of tolerable likenesses of their absent dear ones. And mustn't it be acting favorably on the morality of the country?

I believe movies are one of the great American art forms and the shared experience of watching a story unfold on screen is an important and joyful pastime. The movie theatre is my home, and the idea that someone would violate that innocent and hopeful place in such an unbearably savage way is devastating to me.

All art is autobiographical - if it's not, it's not going to quicken on-stage, and it's not going to come alive.

Seventy-six percent of the American people say we have a spiritual problem in our country. That's great, because now they understand the root of the problem is not that we haven't passed enough laws; rather, the root of the problem is in terms of our social value system.

Essentially, the popular musician in America must learn that his basic job is to entertain people, to make them forget their sorrows for a moment or two; in the same sense that any popular art form must aim at the same distraction value. Any such job as that is basically a young man's business. It takes a young man's energy to go traveling around the country, night after night in a different place, prancing and cavorting around in front of mobs of people all out to try to forget their problems for an evening. And for a young man it can be a good enough way of life, if he happens to like it.

I think movie makers in every country are looking for ideas. It's interactive. And sometimes we remake a lot of Hollywood films but we don't buy the rights, we just try to imitate those films.

I love movies and I love art - and an architect is an entertainer, the guy who builds a rollercoaster is an entertainer. He knows where to build the slopes, and the big anticipation when you go up... He makes you go, 'Oh my God!' when you get to the top before you come down. It's just the same as structuring a show or a dance.

Myths are so intimately bound to culture, time, and place that unless the symbols, the metaphors, are kept alive by constant recreation through the arts, the life just slips away from them.

In the Muslim-majority countries you can't do without Islam, we can't do without their culture, in which way they are going to come back to this Islamic reference to find a way to deal with the true challenges and not the superficial political questions.

For they (art and music) are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.

I have found among my papers a sheet . . . in which I call architecture frozen music.

I never really considered film as a career, but I knew I didn't want to be a builder. So I went to art college, and it just gradually happened.

We, this nation of ours, could be the richest nation in the world. We could be the freest nation in the world - but only if the arts are alive and flourishing can we experience the true meaning of our freedom, and know the full glory of the human spirit.

Americans don't like any form of art, man. All they like to do is make money. They don't like me, Sammy Davis, or anybody else. They don't like nothing. They just like Sammy because he can make 'em a lot of money.

When I left university I was sure that I was going to be a painter. Then I had a crisis, a revelation. I saw Dolce Vita and my mind was blown by it, by the synthesis. I realised I wanted to be a filmmaker and started making films. I was writing screenplays and couldn't get money because my work was so uncommercial. I got married and started writing fiction. What was wonderful is that it gave me my freedom because no-one can tell me I can't work. Novels have become equally important to me as films. I consider myself a storyteller and passionately engaged in both of those disciplines.

In our country [US] equality means your liberal and freedom means you're conservative. That tension is there and it can't be handled on its own terms. It can't be handled as you go out of that and go back into natural institutions or natural law or divine revelation. Something outside of the system has to tell you the system has gone wrong.