Kailash Kher Quotes

I woud definitely want to collaborate with Indian musicians.

Art is collaboration: we are artists all over the world. I believe that people are always going to watch Hindi films... that's never going to die, but I think it's amazing that collaborations like that are happening.

There are not many musicians from India who are working internationally in pop. My aim is to change that and show the world that we have so much more to offer.

I've been to India, Jordan, South Africa, Namibia, Senegal, Australia, Madagascar, Oman, The States, and a lot of countries in Europe, just to visit... I wanted to make music to connect all of these influences, and make a multicultural music with these experiences.

Timbaland uses a lot of Indian music and that has certainly familiarised me about the music of India.

We've performed in South America and in Japan.

I will always have two regrets. I don't have a presence in London, and I would have liked to have done more work in the Middle East.

Working with so many people from all over the world is extremely enriching and stimulating.

The world, in terms of choices available to educated, ambitious workers and entrepreneurs, is way bigger than just the United States, Japan and Europe.

I enjoy seeing other Indian musicians - old and young - coming to Europe and America and having some success. I'm happy to have contributed to that.

I mix Indian instruments with Western instruments all the time.

Most directors have little lists in their heads of people they really want to work with.

I'm a big fan of cultural music, and that's how I try to expand my playing, by listening to music that is not conventionally American.

Working in Korea with the talent and staff there was very eye-opening. I was in awe of everyone's talent, passion, and love for the process.

One of the good things about globalization is it has created a single international music community, and I feel very much part of it.

The business is so international now; you'll be working on an American film, and you'll start chatting to someone, and it's like: 'Oh, you're English, too.'

To me, a big crossover was what happened to me years ago, like bringing my music in Spanish to Europe, or Asia. To me, that's a crossover because Spanish is not a language that everybody talks.

Ah, the bond between English boys and California girls. For those of us who aren't either, it's a bond that fascinates and mystifies. So much of the world's favorite music comes out of that relationship.

There is a definite Chinese pop sound developing, but I was shocked at how influenced it is by American music.

All over the world, the idea of creating an melange of international musics, it's a very healthy thing.

Very few artistic partnerships last more than 10 years, and if they do they tend to go down the tubes.

Doing a film with somebody who's from a different country or culture than you is very fulfilling because they bring with them different insights, experiences, cultural norms, and expectations. All of those things can sort of broaden your own understanding of things or provide a different perspective.

We have debuted in Japan and Korea, but we also really want to make songs in other languages for global fans if there is an opportunity.

I love doing these little collaborations. We collaborate with Stubbs & Wooton on the shoes for Michael Bastian.

Music is open-minded and has always travelled, every country takes something from another, and that's what makes the richness of music.