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Generally my focus has been on people who make things, whether it's writers or directors or painters or musicians.

I'm very supportive of creative people being paid for the work that they do.

I had zero exposure to creative in WCW up until 1993, 1994. Even then, I was at a distance.

You're basically the sum of all the experiences you've ever had, and they're sort of shaken up in you and reproduced in the things you create, and that includes seeing movies.

The arts are an integral part of the city's economic progress.

I'm proud to be a member of the creative class, particularly here in Atlanta where the entertainment and creative industries form such an integral part of our economy, our culture, and our community.

The creative sector is incredibly important to London's economy in a number of different ways.

The impact of the creative industries, of design and architecture in particular, are of course economic and they are a great export opportunity.

Each of my novels has come from a different place, and the processes are not always entirely conscious. I have lived off and on in America for a number of years and so have accumulated observations, found things interesting, been moved to tell stories about them.

All of my films have been autobiographical - it's all I've got to go on.

Every character I do is based on someone I know.

Some people may say my curved panels look like sails. Well, I am a sailor, so I guess I probably do use that metaphor in my work - though not consciously.

The golden hour of invention must terminate like other hours, and when the man of genius returns to the cares, the duties, the vexations, and the amusements of life, his companions behold him as one of themselves - the creature of habits and infirmities.

So much of my own life inspires what I write. Whether it's work, family, friends, motherhood, I am a writer who tends to write what she knows. In 'Revenge Wears Prada,' a great deal of my own life finds its way into the book.

The stories that I tell, the topics that I choose to write about, usually are suggested by something that I've done before.

I did my first film with Francis Ford Copploa, which spoiled the hell out of me.

Some characters think more like me than others; some think more like my dad or someone else. It certainly is made up of my experiences, things I've heard, things I think are funny, things I think are sad. There's sort of a strange, blurry version of yourself in there.

Luckily, each generation brings forth great writers, actors, directors, and designers.

We built our business on creativity, and we're going to have to go through an education process for the next five years to explain to people how our users and that creativity creates value.

If you look at the creative economy in this country, it's per capita way bigger than any other in the world.

It's not a coincidence these two industry areas - Silicon Valley and Hollywood - use the same jargon. They share a common language, the language of the creator, of the entrepreneur.

You can't allow your creative sessions to be dominated by miniscule editing processes.

Most of my friends are in the industry - photographers, models, stylists, and social media kids.

The landscape of professional creation continues to get more complex. Organizations and platforms of all sorts are vying for a slice of the value created by the relationship between creators and their audiences.

I've always known that I wanted to do something in entertainment and fashion.