William Gibson Quotes

Science fiction writers aren't fortune tellers. Fortune tellers are fakes.

If I want to speculate wildly about the future, I have my science fiction. Anybody who tells you they can predict the future is either crazy or lying.

Write what you think, what you imagine, what you suspect!

I think of there being two conditions that creative people go through. I think it's fear and curiosity.

I like the idea that people get engaged thinking about design, about creativity. I don't see how it could possibly be bad.

As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.

To have the ability to withdraw into oneself and forget everything around one when one is creating - What, I think is the only requirement for being able to bring forth something beautiful. The whole thing is - a mystery.

It's rather mystifying when you think about writing songs - where they come from, and how they're born.

...imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourself into it. When you do this, the words look after themselves, like magic.

If you don't think there is magic in writing, you probably won't write anything magical.

The whole, though it be long, stands almost complete and finished in my mind so that I can survey it at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What delight this is I cannot tell!

I think that the idea of boundaries is being challenged everywhere. And I think our fascination with sci-fi is that it is a boundary-less world where we can kind of create the reality that we believe to be as opposed to the reality that is. It is about the beyond and the unknown in a different way than pretty much any type of storytelling is.

It really was not that difficult a process, because I was playing [Data from Star Trek] something that doesn't exist. So it was really based on... Imagination was the key element in that, and whatever I could think of, I could do, because there was no precedent for it. It wasn't like someone was going to say, "Well, an android would never do that." They didn't know!

It's rare you get an idea from a dream. I can't really recall a story that ever worked out that way. I think in 35 years of writing, that I've ever had a dream that held up. They're much too dislocated

If writing is thinking and discovery and selection and order and meaning, it is also awe and reverence and mystery and magic.

I used to think that when I set out that doing the research was enough! But then the gaps would emerge that could only be filled by the imagination. And imagination only comes when you privilege the subconscious, when you make delay and procrastination work for you.

I'm often asked, 'Where do you get your ideas?' ...It's like asking, 'Where do you find air to breathe?' Ideas are all around you.

Writers do not write what they know. They write what they can imagine.

I think every writer's had the experience of having a really good idea, waiting to write it, and then once you write it, you're like, "Oh I kind of got past the sell by date on this." I'm not connected to the initial spark that was the idea. A lot of that's about staying open.

I read a fair amount [of science fiction], and you know it was certainly inspirational. I have to pinch myself to think that we might be able to make some of [what I've read in science fiction books] come true.

The stories tend to be what I work on when I'm stuck. Something will just pop into my head and I'll think that's more of a story.

I learned three important things in college-to use a library, to memorize quickly and visually, to drop asleep at any time given a horizontal surface and fifteen minutes. What I could not learn was to think creatively on schedule.

Performers love to perform - that's the thing that we do. I think one of the best things was being able to imagine anything that I wanted, anything that I came up with we could do, because this theater is unbelievable.

I'm not much of a math and science guy. I spent most of my time in school daydreaming and managed to turn it into a living. When I was making "Star Wars," I wasn't restrained by any kind of science. I simply said, "I'm going to create a world that's fun and interesting, makes sense, and seems to have a reality to it."

It varies, I don't think there is any one set way of writing songs or coming up with ideas, it comes in so many ways you know.