James Taylor Quotes

The studio is meant to be always a place where, first of all, they can be out of spotlight, and second, where they could work with a peer group on parts that they might not have played otherwise.

What really helps me is being able to record my albums at home - I have more fun experimenting that way, as opposed to working with an engineer, in which case I have to deal with the humiliation of doing take after take, and that can get frustrating.

We recorded several of Kenny's songs in the living room of my home.

I've not really spent much time in proper studios. The room itself where you're recording, and how you live while you're there is what appeals to me.

I now have a home recording studio, which I can operate entirely on my own, as well as a portable version of the same which allows me to record anywhere I like and simply swap out the hard drives for use in the home studio.

I don't have a formal home recording studio, but I can record tracks on my computer upstairs in my office.

It was way out in the woods in a beautiful, huge log studio. Keith Richards came in and did the vocals with Levon. Again, a big party, but we did get a good cut out of it.

I've always been interested in what happens in the studio.

I'm a huge fan of home recording. I think it levels the playing field. You don't need $100,000 to record a studio CD.

I have a fantastic studio in my home, and it's my biggest toy. I have about a half a million dollars worth of musical equipment in my house.

I think that songwriting changed when groups started spending more time in the studio.

We all sit in front of our mics and our scripts lay on music stands. Then the silliness begins!

When I record in a studio. I know that on Tuesday at 3 o'clock I've got to go be creative.

I work out of my home studio that I built in this warehouse in Philadelphia. I've kind of curated it for my needs and my sound.

Every time we get days off, we try to go home and record five or six songs.

I ended up renting a studio in L.A. for about 15 months. Starting in January of 2016, some of the guys in the band were coming out once every five to six weeks for like five days a time.

With our producer, Greg Fidelman, it was really a joy to work with him and to try different things and experiment.

We're always in the studio pretty much, either at home or on the road, trying to come up with new ideas and stuff.

Some artists send their verses, and others record in my studio. Depends. I prefer them being there.

You should be able to deliver what the artist you're working with wants.

I haven't felt compelled to go back in the studio and do anything serious. I have a little sort of home studio thing which I potter about in occasionally.

I don't think people realize that I produce like 90 percent of all my music, except for the songs that I co-produce with people.

I think probably the first time I recorded anything was mid-2010.

It all started back in '69 when I worked with Jack Nitzche on 'Performance.' That was my first experience of doing soundtracks, and I've enjoyed doing them ever since.

I just want to be in the studio 24/7. Even if I'm not working on a song right then, just sit in the studio. That's what I love.