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I'm not really gonna stop. We've got so much stuff to do, so many songs we talked about, so many things to record.

I write by myself and then deliver the song. Everybody knows, 'Leave Ester alone when she's in her zone.' Give me a studio and the tracks, and I'll call you when the doctor is done.

I just love being in the studio, and that's kind of what I do when I'm not on the road. I'm just in the studio messing with stuff, and I love playing all the instruments.

I do a few shows every year, but I'm mostly at home, making music. Day and night.

Plus, we spend most of our time writing music. Most of the time is spent in the studio in my house.

I'm in the studio for hours in that tiny little box, and really, the performing part is what I'm most excited about.

When we were in the studio working stuff out, and even when we were on stage, the music was a priority.

When you're doing an album, you need to come up with something new, be creative.

Getting used to the studio and everything was fun, we freaked about alot. I was working very hard then.

I do feel most at home playing live, but the feeling of getting into the studio to see the new songs take shape was really incredible.

I love being in the studio, and I am a huge fan of live music. Without writing good stuff in the studio, you have nothing to play live.

Unlike motor sport, I didn't get into music for the live performances. I like writing and studio work and seeing how a song can come to life.

There's not a lot of thinking that I need to do away from the studio on Broken Bells stuff.

I love working with different musicians in the studio, that's a real joy working with someone for the first time.

For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.

I sit and write songs alone and then get together with people to help me flesh it out into a recording.

He wanted to play accordion on something of mine and I said you can play accordion, but I want you to play piano and organ on some stuff. He came over a couple times a week for two weeks and gave me therapy as to whether I should do The Thorns or not.

I've always been interested in what happens in the studio.

I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened.

They're mostly done before we went into the studio, although I do like writing in the studio.

I always think I don't have any songs, I don't have anything I'm working on, and I get in the studio and realize there are 20 things I'm thinking about. It's just kind of second nature.

When I get in the studio the idea is just to work and bang out as many as I can.

I work very hard on getting the songs as direct and examined as I can before I go in the studio.

I'm never happier than when I'm being creative, whether that's with Coldplay or other artists. I just love being in the studio.

The studio is not the place to write. You need to be 75% ready when you go into the studio, and then the music can develop to the next stage.