Neha Dhupia Quotes

'Sabotage' was an opportunity. That was journeyman work, but the irony is I learned more off that movie on what filmmaking is and isn't than everything else combined. A lot of lessons, and it will impact me for the rest of my career.

I was obsessed from the moment I took my first photograph. I wanted to make photography my career.

For a film to be viable, it has to survive this process of scrutiny. I think most filmmakers have obsessive-compulsive tendencies and would be completely unemployable in any other job - so it's great to be able to channel your psychological anomalies into something productive and creative.

I would love to work with Cameron Crowe; he's definitely one of my favorite directors.

The thing about working with Peter Jackson is that, at the end of the day, he is a passionate artist.

There are lots of good directors I would like to work with; I want to be inspired and challenged by them.

I would love to work with Shane Meadows - great director.

Every week, I take two phone calls or meetings with an aspiring producer or director.

Modeling gave me so many experiences, like traveling and being exposed to global cultures, but the most valuable lesson has been working with designers who truly are visionaries in their field.

F. Gary Gray, I think, is one of the best directors I've ever worked with in my life, and I'd love to work with him again.

I would love to just keep working with really great directors who really inspire me.

I don't know what my ambitions are until they turn up really but I'd love to work with Shane Meadows, I know that much!

I will continue to work with newbies as long as the script and the director are good.

The success of a film is always a combination of many people's efforts.

Well, I always wanted to work with Anubhav Sinha.

My biggest inspiration is to work with interesting filmmakers and learn from them in any way that I can.

I'm very lucky. Most of my friends wait long times for jobs and also don't get the chance to work on 20 films, like I have, with someone like Scorsese. I love working for him. I just would never - I can't imagine working for anybody else.

I'd still like to work with Woody Allen.

I had attraction to work with Ang Lee. I wanted to work with him.

My final ambition is to turn director.

I wanted the opportunity to work with Judy Davis and Simon Wincer.

When I entered the industry, I wanted to work with good directors like Mani Ratnam and Gautam Menon; that's why I did Tamil films. I realised later that I was not adding anything to the Tamil scripts and that it was a waste of time for me.

Many directors are approaching me with good scripts. I will concentrate on production and music.

I sent 'Hell or High Water' to Peter Berg, asking if he'd like to be involved.

Any time you get to work with creative people - animators, actors, directors and producers, all of this - it helps to refine what tools you'll need moving forward.