William Kircher Quotes

Working with and collaborating with and for Peter Jackson was an incredible experience because he is such a phenomenal filmmaker.

I definitely managed to do different kinds of things. My focus is usually who the director is, because at the end of the day the director is the storyteller, what the movie is all about. I don't want to participate in something that I don't think is constructive storytelling.

I really want to work in a movie with Quentin Tarantino. I think he makes fantastic movies. I love people that create a different reality for the actors to live in.

Movies are the work of a collective conscious. It takes 500-800 people on a movie to complete a vision.

I've worked with some really great directors, and I'm really choosy about them because they're telling the story at the end of the day.

Every movie has its uniqueness. You just do your best and go with it.

When the director has a vision for a piece that I've never heard before, and they can back that up with visuals, and they talk a good game, I get really interested in the world that they're trying to create.

Any time Chris Nolan wants to call me for advice, he can.

Working with Terry Gilliam was magic - I've been watching his films since I was little.

I've worked with a lot of great directors.

I want to work with filmmakers who are really smart.

I would love to direct one day. I value the relationship that I have with a director so much, and I would be really excited to be on the other end of that relationship.

I wonder if Louis Ferreira would be interested in directing.

Ultimately what I try to do is work on stories I love with people I admire, and sometimes they get made and sometimes they don't.

Ang Lee - he is amazing. I think doing a film with him would be breathtaking.

I think the success of any movie is dependent upon it being a singular vision.

I just love the process of filmmaking.

I don't care about the size of the roles, or how they're marketed or billed or anything like that. I would love to be a part of stories that tell us about where we've come from, where we are, where we're going - with great directors.

I worked for Sam Peckinpah on quite a bit of action in his films, and he got excited once in a while.

I always loved doing a movie with Daldry. That's always a huge factor for me.

I'm proud of 'Sinister' because Scott and Cargill did a great job on the movie, and I set up a framework for them to make what they wanted to make. They gave me the idea, and I figured out how to get it out into the world.

Making 'Coraline' was one of the great filmmaking experiences of my life.

I have the most respect for Rick. You're always going to see a Shameik Moore and Rick Famuyiwa film.

When you direct a movie, you're basically looking at a story, the way you want to look at it. You bring that director's vision, and I'm totally open for that.

I have an amazing team; I have amazing producers; I have amazing writers, but at the end of it, it's me making the decisions on the writing, the tone, the editing.