Douglas Booth Quotes

I would love to work with Derek Cianfrance. Why not? You've always got to aim big!

I don't know what my ambitions are until they turn up really but I'd love to work with Shane Meadows, I know that much!

My tone and my style are reflected in the movies I choose to make. I want to make big movies. My dream is to be Jon Favreau or Ben Affleck.

There's a lot of people that I would love to work with. There's a lot of different kinds of parts I wanna play. As your career progresses, you hope that you get some more opportunity or some more choice.

I'm just gonna make movies the best I can, do the festival thing or whatever can come. I plan on working with a lot of the same guys over and over again. I hope the majority of us can stick together.

I look for the role that excites me and work with whoever that director happens to be, wherever he wants to shoot the film.

I would love to work with Cameron Crowe; he's definitely one of my favorite directors.

Once you get an offer from Steven Soderbergh, you just do anything you can to make it fit.

I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.

There are lots of good directors I would like to work with; I want to be inspired and challenged by them.

I would love to direct a feature and have Robert Connolly produce it. That would be really fab.

Schepisi is the sort of director who could, would, and frequently did phone me whenever he came across a textual problem.

Working with actors who are directors is magnificent. Because they understand the art form intimately, and they know exactly how everything works.

I would love to work with Christopher Nolan, 100 percent.

I wish I had more control over my career, but making movies is something you do with lots of people.

I'm not in a 'starry' position to be able to pick and choose, but I am interested in telling stories of substance with great directors - that's my only guiding principle.

I would love to just keep working with really great directors who really inspire me.

I tried working with the best of directors and producers. I tried being selective, but things didn't work out. Now, I am open to working with anybody and everybody who is good. Or I'll try to make it good. That suits me.

But I would love to work with David Lynch, if I could. He's my hero.

My biggest inspiration is to work with interesting filmmakers and learn from them in any way that I can.

I guess I gravitate towards stories that I like and directors that I want to work with, and I hope that it works out.

I am open to working with new directors as long as the script excites me.

I want to work with amazing filmmakers and tell important stories, and if I have to audition to do that, I will.

Derek Jarman shared the responsibility for making the film. He didn't necessarily know what he wanted - he knew what he didn't want - but you had to keep coming up with stuff.

I did Brad's first film The Take and I'm glad Brad [Furman] has not calmed down. I don't want him to ever calm down.