George Hamilton Quotes

I think if you do something effectively whether you're the lover or the comic or the action guy or the villain like I play; movies are very expensive to make. Chances are you'll get asked to play that part again.

I think wardrobe is a really important part of making a movie and developing the character.

With 'The Last Picture Show,' Peter Bogdanovich brought the script to the company that made it. They liked it, and they gave him the money he needed to make the film. He cast it with the actors that he thought were right for the parts. Now, it's the reverse.

There was a moment when we were casting 'Groundhog Day' when Bill Murray was not at the top of my list. He'd been getting crankier and crankier. By the end of 'Ghostbusters II', he was pretty cranky. I thought, 'Do I want to put up with this for twelve weeks?'

The lamest excuse that I get incessantly is, 'Oh, we're not going ethnic with that role,' so I can't go in for it, or I can't get the part, which is really stupid, because, in today's world, people look different.

I felt like I wasn't considered for minority or Caucasian male lead roles. There aren't really a lot of roles written for me, and I mean me and who I am in real life.

There are only three reasons to do a movie: the cast, the director, the role. Like I say, you live in a minute of screen time, but to prepare for the minute takes much more than a day. You'd better be excited about what those moments are, even if they're the hardest moments. Or the smallest.

I always love costume, and I'm always heavily involved in how things should look. Or how they should feel really, because that's part of the way I suppose I get into character in some ways. It's a lot about costume.

It's very rewarding to see the movie, and it's very rewarding to make the movie, but playing the character [Riddick] is sometimes a lot more difficult than other characters because it takes so much preparation to get into that character.

I'm always being asked to play roles or characters that I don't really resemble.

I love to do movies. That's something that I find so much joy in, in being able to travel around and play new characters.

I auditioned for so many things - cops, lawyers, doctors and things but they were like, "She just seems too sweet. I don't see that hard side of her."

My entire career is contemporary based, not by choice, but just by character. So, all the movies I've done, except for one in 40 years, are contemporary. But I never did an effects movie. So, I'm also a producer and I was really curious about how this whole thing went together.

Casting is really a black art. It's a huge part of directing and it's the most invisible. It's one that people don't really think about or talk about. But you can really destroy your movie by casting it badly before you've shot a foot of film. And yet there are no guidebooks for it, there's no rule book to tell you how to do it. It's all your own experience and your own sensibility and your own intuition.

We actually did a lot of takes on this movie [J. Edgar Hoover]. I never left the set wanting more. That's for sure. I don't know. This was a very difficult character for me and a lot of the other actors here, and at times we went and did 8 or 9 or 10 takes on a single day.

There's a fashion, or maybe you could call it a necessity, in French cinema to make social films, which is to say films in which the characters are defined by their social context.

I relieve myself from the rigours of directing by casting the movie correctly.

Every time I make a movie I have too many characters and too many locations.

I've lived through the shooting of movie, the editing and every other process along the way, so it's not for me to really judge it. I'll probably look at it again five years from now to get a fresh feel for it.

Certainly there's pressure while your making the movie.

Making a movie: It's so hard. It's the hardest of all the things I do.

My philosophy is making a movie is difficult enough and I just feel as if you should have a really good time when you do make films whether it's a drama or a comedy.

Research can be interesting, but it can be pointless as well. The realities of making a movie often are not conducive with that. I'm not knocking it. I love doing research myself, but I admit it doesn't always add to the performance.

I start movies with people that I believe in and people with visions, you know, that I believe in. And so if it doesn't kind of come together in the right way, at least I was doing it because I believed in the person and the movie.

Caitriona Balfe, who is Irish, is also in my movie. I asked her to play her Irish accent in the movie, but her own brogue is so faint that I had to keep pumping it up.