Mahershala Ali Quotes

I tend to play characters that aren't supposed to black or written black.

You can ask any Latin actor: inevitably, if they get a part meant for a white guy, producers will change the character's name to sound more Latin.

I know the only reason that I haven't gotten many good parts is because I am Latin - and they tell it to my face a lot of times.

I've only auditioned for one non-culturally specific role. I went through drama school and studied classic texts and played lead roles in 'Measure for Measure' and 'The Importance of Being Earnest' alongside a very culturally diverse group of acting students. But as soon as we graduate and enter the industry, all of those roles fall away.

If I were to wait only for roles that clarify my racial makeup, I'd be waiting for a very, very long time.

From my experience, I would say no: actors of East Asian descent don't get the opportunities white actors do. I know that's inherently a problem in a country that produces a lot of period drama, but I have to fight so hard to get parts that don't have something to do with China.

Look - I'm an African-American. I'm black. But I'm just looking at the character and trying to find his soul, his energy. If you can wipe away the blanket of skin and flesh that people tend to see, and look inside for the essence of the soul, then that's the work I'm doing. That's the work I always do.

There couldn't possibly be a more label-driven industry than acting, seeing as every audition comes with a character breakdown: 'Beautiful, sassy, Latina, 20s'; 'African American, urban, pretty, early 30s'; 'Caucasian, blonde, modern girl next door'. Every role has a label; every casting is for something specific.

At one point, I bought brown contacts because people told me I wasn't Latin enough to play Latin, and I'm Puerto Rican. I went and bought brown contacts just so I could go in and look more Latino... but that was something that I've dealt with in this business.

When I looked at 'Dear White People,' you have four African-American students who are all very different and who are trying to figure out who they are. They're dealing with identity issues and crises. That is exciting to me, to see African-American young people on a page, on a screen, who are so diverse and whose stories are all so different.

I've been asked far too often, 'Can you be blacker?' I've gotten done with auditions and heard, 'We're not going to go black with this character.'

I've witnessed racism all my life. And of course there's racism and discrimination in Hollywood. You go for a part and they say, 'Oh, we really liked her, she's amazing, but we wanted to go with something more traditional'. As if I'm not a traditional American!

You have to understand being an actress, and being an African American actress of a certain hue, I think that you have to be bold with your choices. Even when you're not bold with your choices, have people see it as bold.

In my early days I was a sepia Hedy Lamarr. Now I'm black and a woman, singing my own way.

When I was born, I was colored. I soon became a Negro. Not long after that I was black. Most recently I was African-American. It seems we're on a roll here. But I am still first and foremost in search of freedom.

When I was perceived as a black man I became a threat to public safety. When I was dressed as myself, it was my safety that was threatened.

[Producers] promised me they wouldn't do that sort of "defining nature of my character is that Laurel is Latina [in How to Get Away with Murder] ." It has nothing to do with that. She just happens to be a Latina.

Because I want every kid to be viewed as a person rather than as a member of a certain race does not mean that I'm not black enough. . . . Do they want me to be positive just for black kids and negative for everybody else?

Black comics, they only watch Black comedians. You're a comedian; you're not just a Black comedian. You're a comedian. I try to get that through to everybody.

One of the reasons that the African American actors wanted to be a part of the show was because these people are talking to each other the way that African American people talk to each other, and they said that they didn't see that on TV.

You must begin to define yourself. You must begin to define your Black heritage.

There is a problem in America. An Irish or Polish American can write a story and it's an American story. When a Black American writes a story, it's called a Black story. I take exception to that. Every artist has articulated to his own experience. The problem is that some people do not see Blacks as Americans.

For women and men, but especially women, with on camera acting you have to look a certain way. You have to present yourself as the most attractive version of yourself that you can be, and then you're judged based on how attractive you are or if you are the right look for the character.

I'm not offended if you call me an African American. I prefer a black American.

These days I find myself wanting to avoid being pigeon-holed, ghettoized, held in a different category than other authors. And when people ask me if I'm a black writer, or just a writer who happens to be black, I tend to say that it's either a dumb question or a question which happens to be dumb.