Prince Royce Quotes

I'm not afraid to embrace different music and different culture and put it in the music.

Art and cinema is not restricted to any language.

I'm inspired by many artists whose language I don't understand.

In terms of negotiating a career - I've always grown up being an insider and an outsider to different worlds, across different classes and cultures, so I have always naturally liked making films or music that puts things in unexpected places.

China is important to the world in that they are a force and on the move. Exposing them to figurative art opens up a potential for artistic expression far greater than anyone would ever have dreamed possible until today. It is this very spirit of the struggle and determination to triumph that inspires creative expression.

When you do a film in a foreign language, you know there's a cost in it, that you know, unfortunately, the audiences of foreign language films have not been cultivated. There's a market, but the market has been reduced, unfortunately, and you know that when you're making a foreign language film, you're making a choice.

Can that make any sense - a Belgian artist living in Mexico and working in Afghanistan?

To me, a big crossover was what happened to me years ago, like bringing my music in Spanish to Europe, or Asia. To me, that's a crossover because Spanish is not a language that everybody talks.

Everyone thinks England and America are the same, as we have the same language, but I felt like an alien as an English person living in America.

It's not easy for Chinese actors to do foreign films, and it's not easy for foreign actors to do Chinese films.

A common language is a first step towards communication across cultural boundaries.

In a way, the truth is that I was dreaming to do a movie in the United States just because, as a filmmaker, I always loved the idea of trying to make movies in a different culture, in a different way. It's always interesting to make a movie abroad.

It's really rare that an entire genre of music allows an artist from a different genre to come and live there.

This song 'All Aboard,' that tune allowed me to expand and kind of offer my audience something totally different because it's not bachata - I'm singing English, and that was really fun.

Art should not be bound by barriers or language. The Hindi film industry is a testament to that. We speak only Hindi, but we premiere in Germany and Japan. Our films do phenomenally well there. We transcend the barriers of language and culture. We welcome you in. I think that's what art should be, and I hope America reaches that place.

That, to me, is the real crossover: a mainstream artist singing in Spanish.

What I felt as a singer is that music and cultural contents are the biggest strengths that go beyond language and go to any country in the world.

Music is just another language, but it's very special because it crosses everyone's borders.

Music is common language. I can sing 'Bebot' in front of white people and they will dance.

I think Diplo is a true global artist. I feel that he is exposing country artists to his global reach and that's something that is rarely done in our genre.

Music has no language barriers and this has been proved right several times by the Chennai audience.

In America, they don't need to look outside their country for anything, so they definitely don't need to look elsewhere for rappers with weird accents that they have to get accustomed to, which is like homework to them.

It's just so obscure to take a folk song in a different language and be a pretty well-respected English-speaking rock band and totally take a song and twist it around and have fun with it.

Language should not be a barrier for an actor; I want the world to see my work and not limit it to Hindi-speaking audiences.

Some things, I feel like no, I never could have the depth of experience of their own music and culture - but sometimes if I'm collaborating with somebody, they're interested in me bringing my own stuff into their thing, and sometimes that works.